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Perry Rhodan #4(b), Base on Venus (1969)

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By Kurt Mahr (= German issue #8, 27 October 1961)

Perry Rhodan and company take off from the Gobi Desert aboard the Good Hope for an extended mission to establish a base on Venus. The Third Power and defense of the earth are left in the capable hands of Ras Tschubai and Betty Toufry. Their first stop is to be the Arkonide cruiser wreckage on the moon, but as they approach they find a crashed duplicate of Rhodan's old Stardust– which fires on them! It is the secret US rocket Greyhound, which had been sent to scavenge from the crashed Arkonide ship, with the astronauts Michael Freyt (an old colleague of Rhodan's), Conrad Derringhouse, Rod Nyssen, and William Sheldon (who died in the Greyhound's crash). They mistakenly took the approaching Good Hope for a Mind Snatcher attack and opened fire. Too quickly for Rhodan to stop her, Thora retaliates with a “crystal field neutralizer” disintegrator beam that dissolves the hull of the Greyhound– and reveals to the US astronauts who recognize the technology that it's really the Third Power. The Good Hope lands nearby. “Well, the only thing we can do now is walk over to them and apologize for having attacked them by mistake!” (p. 109)

Rhodan overrules Thora's objections to letting Freyt and his men aboard the space sphere – Freyt was the pilot who destroyed her cruiser (#2[a], The Radiant Dome) – forcefully asserting his command authority. Afterward, Khrest cautions Rhodan that another such clash of wills with Thora may well drive her to the brink of insanity. Rhodan dresses down Washington for their perfidious attempt at “piracy” - and demands reparations in the form of a discharge for the three astronauts from US service so they can join him if they so wish. They so wish. The Good Hope then spends several days salvaging and inventorying machinery and supplies that survived the destruction of the cruiser. Thora agrees to submit to Rhodan's command authority henceforward; Khrest points out that only now has she given up hope that the cruiser could be returned to spaceworthy condition and accepted that she must depend on the earth if she hopes to return to Arkon. The Good Hope proceeds to Venus, but when approaching the landing site selected based on the earlier scouting expedition (from which the Good Hope had been returning at the end of the previous story), a gravitational beam seizes the ship and starts drawing it toward its source. A challenge is received, but it is in a primitive dialect of Arkonide. Only Rhodan's skill as a pilot manages to break the ship free to a landing in a deep crater, hidden from the enemy.

They spend some time scouting the local area, including making contact with primitive but intelligent seal-like creatures who regard them as gods. Then an expedition consisting of Rhodan, Reginald Bell, Eric Manoli, the three US astronauts, Tako Kakuta, and Anne Sloane – along with a robot dubbed “Tom” - sets out to march cross country the three hundred miles to the source of the gravitational beam. Khrest and Thora remain with the Good Hope, which remains undiscovered by various small scout probes that flit through the skies. Over the course of a few long Venusian days (a couple earthly weeks) – and verious harrowing encounters with Venusian monsters – the expedition makes its way across jungles, rivers, and mountains to a high plateau and into a cave which serves as a disintegrator cannon emplacement, which does not fire but does show evidence of being maintained. Not knowing they are being observed by the puzzled commander of the base, and with all other attempts at finding entrance to the base coming to naught, Rhodan finally orders Tako to teleport inside. Tako is captured and interrogated under psychohypnosis by the base commander's robots. Then paths open up for the earthlings to be shepherded into the base, ultimately to a human-like robotic alien who speaks first Japanese, then English, extracted from Tako's brain, and who leads them to a large central chamber housing a gigantic positronic robot brain. “This is the commander. He is happy to see you” (p. 179).

It turns out that the base on Venus was established by Arkonides over ten thousand years ago as a staging area for colonization of the earth – specifically a continent between America, Europe, and Africa – Atlantis. But that colony was destroyed with few survivors in a great cataclysm. The survivors proceeded in the remaining ships to another destination and contact was lost with them. The robot brain has been maintaining the base by means of its robots ever since, through the millennia, waiting for Arkonides to return. It recognizes Rhodan and Bell's psychoenhanced brains as Arkonide, and based on its own observations and what it learned from interrogating Tako it recognizes Rhodan as its new master. Perry Rhodan gains all the weapons, power, resources, and facilities he needs to defend the earth from any alien threat.

Another synopsis may be found at http://perryrhodan.us/php/displaySummary.php?number=8

***

The first impression is that “Base on Venus” refers to the base that Rhodan plans to establish. But in reality, it is the ancient Arkonide base that he discovers and takes possession of.

See my previous comments on the soon-to-be (1962) untenable image of Venus as a primitive earth.

Derringhouse is another name that I remember from my long-ago reading of the later US Perry Rhodan. I actually recognized him when he first appeared in #2(a), The Radiant Dome, accompanying Freyt in the destruction of the Arkonide cruiser, and wondered then exactly how he would be brought to Rhodan's side.

Anne Sloane appears here as another typical female character of an age gone past. She is presented as something of a weak sister, even an outright damsel in distress in one sequence – dragged away by a big worm-monster and saved from a horrific fate only in the nick of time by our heroes. She engages in self-pitying self-recrimination when her telekinetics and “radar-sense” clairvoyance prove to be of little value - “[S]he reported to Rhodan what she had been able to find out about the passageways. She seemed to be discouraged and crestfallen. 'You've lost a lot of precious time, haven't you?” she asked. 'And because of me.'” Our gallant hero denies this, of course (p. 167).

In an earlier story, Khrest intimated that Thora didn't like Anne Sloane because of the attention Rhodan was giving her – she was jealous! Good thing she didn't accompany this expedition, where she could have witnessed Anne pretty overtly flirting with Rhodan: “Anne Sloane pushed her way close to Rhodan. 'It's pretty scary here, don't you agree?' she asked, as if Rhodan were a teenage pal of hers.” Rhodan of course takes her in his arms and comforts her … er, no he doesn't: “Rhodan gave a signal to his troop. 'Let's go!'” (p. 139)

***

Some thoughts on the nature of story-telling in the Perry Rhodan universe:

I think that one of the attractions of Perry Rhodan for me was thirty-odd years ago and continues to be the overall similarity of the idea of a huge, shared universe with what can be found in comic books – whether the DC Universe or the Marvel Universe. (I'm a DC man myself.) I've been thinking along these lines for the last week or so, since a conversation with a colleague on whom I've foisted my three-volume library-bound collection of the recent New Krypton mega-sized story arc in the Superman titles. We were considering how this type of story-telling is almost unique to comics – a huge shared universe in which sprawling stories such as New Krypton, Blackest Night, or a number of other examples that cross over a large number of titles over several months, perhaps even over a year or more, can be told.

It's something that's not possible – or at least not done – on TV, for instance. Most series are there self contained. The only examples that even hint at something larger that come readily to mind are the occasional crossovers that happen (or happened) between, say, the various Jerry Bruckheimer shows, or the various Law & Order iterations, etc. Or when Star Trek: The Next Generation and Deep Space Nine or the latter and Voyager overlapped. Or – an example I threw out, that period in the 1960s when you had the "Hooterville" family of shows – Green Acres and Petticoat Junction, to which was related The Beverly Hillbillies. Not even in the same ball park! Or (and I have only the vaguest notion of such things) perhaps some of the old daytime soap operas – some of them do or did at least have the longevity! In that respect, although it hasn't been continuous, I cannot pass up mentioning Doctor Who– almost as old as Rhodan, appearing first in 1963.

But Perry Rhodan seems to comprise something like the large shared universe in prose form, as I understand it. Already when I was reading the Ackerman translations in the 1970s I was aware of such things as the spinoff Atlan series, the so-called Planet Novels, and so forth. Well, it turns out that thirty-plus years have expanded the Perry Rhodan universe exponentially. Courtesy of the Perry Rhodan Yahoo group member David Sears, here's what it looks like currently:

2582 Perry Rhodan: Main Series;
850 Atlan: Main Series;
12 Atlan: Traversan;
12 Atlan: Centauri;
12 Atlan: Obsidian;
12 Atlan: Die Lordrichter;
12 Atlan: Der Dunkelstern;
12 Atlan: Intrawelt;
12 Atlan: Flammenstaub;
36 Perry Rhodan: Action;
11 Perry Rhodan: Extra;
415 Perry Rhodan: Planet Stories;
6 Perry Rhodan: Classics;
4 Perry Rhodan: Space Thrillers;
5 Perry Rhodan: Autorenbibliothek;
2 Perry Rhodan: Kosmos Kroniken;
6 Perry Rhodan: Andromeda;
6 Perry Rhodan: Odyssee;
6 Perry Rhodan: Lemuria;
3 Perry Rhodan: PAN-THAU-RA;
6 Perry Rhodan: Der Posbi-Krieg;
6 Perry Rhodan: Ara Toxin;
3 Perry Rhodan: Das Rote Imperium;
3 Perry Rhodan: Die Tefroder;
3 Perry Rhodan: Jupiter;
3 Atlan: The Arkon Trilogie (14-16, 1-13 are reprints of Planet Stories, 17 on are reprints of Atlan main series);
2 Atlan: Moewig Fantastic;
3 Atlan: Lepso Trilogie;
3 Atlan: Die Rudyn Trilogie;
3 Atlan: Die Illochin Trilogie;
6 Atlan: Der Monolith Zyklus;
1 Atlan: Rico;
3 Atlan X: Kreta Zyklus;
3 Atlan: Hollenwelt;
3 Atlan: Marasin Trilogie;
3 Atlan X: Der Tamaran Zyklus;
for a total of 4070 Total unique episodes!

I have no idea what most of that material is. Only a minuscule fraction of it is available in English – just the first 146 or so of the Main Series (leaving the third major story arc or “cycle” incomplete), five of the Atlan adventures, and one Planet Story were published back in the 1970s; as I understand it another four of the Main Series appeared as an abortive attempt to restart US publication sometime in the 1990s; and another abortive attempt to bring Perry Rhodan back to the US several years ago folded after only one volume, the first of the six Lemuria stories. And a lot of that mass of material listed above is currently available to the German readers – there have been several reprint series, starting at the beginning and republishing the stories in sequence, as well as collections in various paperback, trade, and hardcover formats as well as, most recently, electronic versions. It is a wide, wonderful, accessible universe … if you read German. Unfortunately, I do not. Sigh.

It does occur to me that there is something similar in the making in the Star Trek and Star Wars licensed novels, but the similarity is only superficial, especially in the case of the former. Back in the day, I read a lot of Star Trek novels; they are almost all in independent continuities with no connection and many inconsistencies between them. As I understand it the Star Wars novels from the early 1990s forward do in general fit into some kind of overall continuity and there is some effort at keeping some kind of consistency – but I've read few of them. And in both cases anything that appears in print may well be later rendered outside any continuity by a subsequent show or movie which then preempts canonicity.

To bring this back toward my initial point, I see a lot of similarity between Perry Rhodan and the comic book universe (multiverse?) that I love so deeply. The breadth of story-telling is just one aspect. There is of course also the larger-than life characters facing universe-threatening menaces. And I already mentioned in a previous post how my discovery of the Mutant Corps in Perry Rhodan coincided with my discovery of the “All-New, All-Different” X-Men (I've not always been exclusively DC!). As I continue reading my way from the beginning, such similarities will doubtless be a recurring theme as I try to convey my renewed enthusiasm for “Die Grosse Weltraum-Serie” “the Great Space Series” (thanks, Google translator).

Cheers!



Perry Rhodan Special Release, The Wasp Men Attack (September 1977)

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By W. W. Shols (= German issue #9, “Help for the Earth,” 3 November 1961)

Still on Venus, Rhodan has been in deep consultation with the Robot Brain, discovering the existence of six single-seat fighter spaceships. Meanwhile, Freyt, Derringhouse, and Nyssen have been subjected to hypnotraining and raised to Arkonide-level intelligence. They are given guardianship of the new ships.

Two days later, during a training flight outside the Venusian atmosphere, Rhodan and his men detect an urgent message from John Marshall. A Mind-Snatcher ship has been detected landing on the moon. As preparations are made for a return to earth, further communications reveal that a number of Mind-Snatcher transformations are suspected around the world, most notably a powerful Chicago crime boss named Clive Cannon. The need for some kind of Mind-Snatcher-detector (besides the few telepathic mutants available) is urgent. On the flight back to earth, they detect two Mind-Snatcher ships headed for the moon. Rhodan's pilots prove the worth of the Arkonide fighters, destroying the invaders, but a life boat escapes and makes its way to the moon. The Good Hope tracks it to its landing in a farside crater, then deposits a contingent of Arkonide robots in a nearby crater before proceeding to earth.

In the time Rhodan and company have been on Venus, a great deal of building and development has been accomplished in the Gobi Desert surrounding the central energy dome. But they are greeting with news of near panic on the earth. Rhodan orders only proven non-transformed personnel to be allowed into the dome. He sets in motion the recruitment of a police force for the “New Power” by Allan Mercant. Freyt and his pilots are tasked with round-the-clock patrols of earth space. Rhodan assigns Dr. Haggard to find some biological weakness in the Mind Snatchers, toward which Rhodan plans to capture a Mind Snatcher in both its own alien body and possessed human body. Bell and Marshall are sent to lure “Clive Cannon” to the Gobi Desert. Rhodan begins consulting the Gobi Robot Brain for a way to devise a Mind-Snatcher-detector, but is interrupted by sirens. There is panicked rioting among the peoples who have been flocking to the borders of the New Power. Rhodan takes control of the situation by asserting his personality and restores order – but sees the world descending into chaos.

In Chicago, Marshall makes contact with “Clive Cannon,” saving him from an assassination attempt ordered by the US Federal Police, while telepathically confirming that he is indeed a Mind-Snatcher. He makes “Cannon” an offer he cannot refuse – a lucrative contract with the New Power, arranging a visit with Rhodan in the Gobi Desert center to seal the deal. But he also detects plans for an attempt to possess the New Power's finance minister, Homer Adams.

As a gift to Rhodan, “Cannon” brings a large-scale replica of the Stardust– which secretly houses its body and the trapped ego of the real Clive Cannon. With its body and Rhodan in close proximity, “Cannon” could bounce from Cannon through its own body thence into Rhodan, possessing the leader of the New Power and the Mind-Snatchers' greatest enemy. But Rhodan captures the Mind-Snatcher's body and immediately arrests “Cannon,” presenting it with one option by which it might preserve its own body and therefore life. Meanwhile, Bell arrives in New York too late to prevent the attack on Adams – and finds himself in the middle of an all-out Mind-Snatcher assault on the city, which has been encased in an energy shield which prevents any outside communications that their agents do not control. Bell barely escapes by using his Arkonide spacesuit. Adams has, however, successfully resisted his own Mind-Snatcher attacker – killing it and fleeing the city.

Before Rhodan interrogates “Cannon” in the presence of the Robot Brain, Adams makes contact. The nature of Adams' mutant brain (eidetic memory) had tied his own personality too closely to his own memory cells for the Mind-Snatcher to displace. He took a small plane into Canada. Rhodan dispatches Ras Tschubai to bring Adams in – even as Bell brings news of the situation in New York. Based on the interrogation of “Cannon,” the Robot Brain devises a solution to detecting Mind-Snatcher possessions, and Rhodan immediately puts a device into production. Awaiting Tschubai, Adams wonders why he fled to the specific place he had ended up. He realizes that the Mind-Snatcher's assault left an imprint upon his eidetic memory – which has subconsciously led him to the location of a cache of two hundred of the alien bodies in hiding.

Rhodan tests the new Mind-Snatcher detector on Mercant's recruits. Out of 304, one is found to be a Mind-Snatcher. The rest, plus the mutants and Rhodan's associates, are to be armed with detectors for the rescue of New York. Meanwhile, Bell is to take command of the Arkonide robots on the moon and prepare to attack the Mind-Snatchers there. And Adams and Tschubai are to lead an attack on the hidden base in Canada. The attacks are carried out simultaneously. The capture of hundreds of Mind-Snatcher bodies in Canada and on the moon renders the New York invaders easily defeated because they are powerless to flee. Rhodan dictates terms to the invaders that have them returning to their home solar system in defeat and shame, knowing they have encountered a race with the ability to detect and destroy them. This crisis has convinced the world that only with the New Power can earth hope to survive in a dangerous universe: “The will of the people forced their elected representatives to go the way of Perry Rhodan in the Gobi Desert and finally to cooperate in uniting the peoples of the Earth” (p. 122).

Another synopsis can be found at http://perryrhodan.us/php/displaySummary.php?number=9

***

For some reason, allegedly because the publisher did not consider them to have enough science-fictional action, three early Perry Rhodan novels were skipped in the original Ace publication sequence. Later, near the end of the Ace run, they were presented as “Special Release” double novels, paired with three tales of the Immortal Arkonide Atlan, a character who first appeared about fifty issues into the series and became popular enough to carry the main spin-off series from Perry Rhodan, the Atlan series that ran for 850 issues from 1969 until the late 1980s.

I don't personally see an insufficiency of science-fictional action here, although this novel does have a different “feel” from the previous stories. For one thing, it just feels unfinished, like a first draft, compared to the 1969-era publications. My speculation is that the first draft of this story was rejected and went unfinished until, near the end of Ace's run the decision was made to get whatever product that was at hand out before the plug was pulled altogether. On the other hand, here in this story I find the first appearance of chapter titles, which it is my understanding do not appear in the German originals but were rather provided by Forrest J. Ackerman. Does the odd name for Rhodan's new state – the “New Power” here where it's always otherwise been the “Third Power” (which would seem to be the German original) - have anything to do with this unusual path to publication?

Perhaps exacerbating the odd feel of this story – and here I'm necessarily hampered by the fact that I do not know how much of its character is attributable to the author as opposed to the translator – is the fact that this is the second book I've read by W. W. Shols. I did not like his portrayal of the Third Power in #3(b), The Mutant Corps. I found this a less than pleasurable read as well. Especially at the beginning, Rhodan himself seems more arrogant and brusque with his colleagues than usual. At this point, Shols is definitely my least favorite of the Perry Rhodan scribes whom I've read. On the other hand, Clark Darlton is my favorite. Even in translation, he just seems to have a more polished writing style and presents more likeable characters with a touch of humor. This matches my memories of reading the later volumes in the 1970s, how I looked forward to any book with Darlton's name on it. I did not know then that “Clark Darlton” was the pen name for one of the co-creators, Walter Ernsting. As an aside, I also remember having less of a liking for Kurt Mahr, but so far in this current reading I find his work almost as enjoyable as Darlton's. I wonder if that will remain so.

In any case, despite my misgivings about the execution of this story, the original decision to skip it in US publication was unfortunate. (Not just because I'm an inveterate completist!) Here is the climax of the first major alien threat to the earth brought by the Arkonide cruiser's distress call. Some new Arkonide technology is introduced that I feel sure will play a role in later stories – the single-seat fighters. It also would seem to bring to a close the opening story arc of the series. Although we are only nine stories into what would be the first fifty-issue Cycle, looking ahead to the beginning of the next story it is apparent that several years pass in the meantime, during which the Third Power expands further and becomes more firmly established. The end of this book provides a satisfying conclusion to Rhodan's first goal, the unification of the earth – not complete, but well on its way.

Cheers, and Ad Astra!


Perry Rhodan #5(a), Space Battle in the Vega Sector (1970)

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By K. H. Scheer (= German issue #10, 10 November 1961)

Three years have passed since the defeat of the Mind Snatchers. General Lesley Pounder, US Space Force Commander, visits the Third Power, where he is greeted by Captain Klein and Colonel Freyt. He is to attend a diplomatic conference where Perry Rhodan will propose a central Terrestrial government. The Third Power has grown to cover 14,400 square miles and almost a quarter million inhabitants in “Galacto City,” still centered around the energy dome. But in the midst of Pounder's tour, a Condition One Alert sounds – a robot sentinel station on Pluto has detected hyperspatial transitions in the local stellar neighborhood. The Third Power goes into lock down awaiting the return of Rhodan from a space test flight. The earth's existence is in danger of being revealed to the rest of the galaxy.

In a war council convened among the founders and rulers of the Third Power, it is revealed that over two hundred hyperspatial incursions have occurred in the Vega system, just 27 light years from the earth. Thora and Khrest are convinced that it is an Arkonide fleet seeking their own original goal of the planet of eternal life, which Khrest believes is in the Vega sysem. Thora demands an immediate launch to meet it. Reginald Bell scoffs that the degenerate Arkonides could ever launch such an expedition – and is astonished when Rhodan declares his intention to take the Good Hope to the Vega system on a reconnaissance mission. In his estimation, the ships appearing at Vega are an unknown invasion force responding to the destroyed Arkonide cruiser on the moon's emergency beacon (#2[a], The Radiant Dome), an invasion meant for earth but missing by a “fraction of a decimal point” error in hyperspace navigation. It must be investigated.

After a hasty conference lays out Rhodan's plans to Pounder and the assembled delegates, the Good Hope lifts off for the stars. A short detour takes them to Venus to consult with the larger positronic brain there. The Good Hope carries a crew of fifty, including two new mutants also picked up from the Venusian base. Besides John Marshall, Betty Toufry, and Tako Kakuta, we now meet Wuriu Sengu (another clairvoyant) and Ralf Marten (can “possess” any other individual's senses, seeing through their eyes and hearing through their ears). Accelerating to near light speed, the Good Hope coasts to the orbit of Jupiter. Rhodan does not want to jump into hyperspace from too deep in the solar system because of gravitational effects on surrounding space. He uses the time to pass on the Venusian brain's data about the Vega system: 42 planets, with intelligent life on the eighth, Ferrol, which had just developed gunpowder ten thousand years ago.

Humanity's first hyperspatial jump goes without a hitch, the Good Hope appearing in the Vega system fortuitously concurrent with fifty more alien ships, whose incursions mask its own transition. But as the Good Hope coasts into the system, the telepaths report “the crying of souls. Someone is dying. Space is filled with whispered grief and sobbing. Despair, pain, death!” (p. 49) It quickly becomes apparent that the Good Hope has indeed stumbled into a massive space battle in the vicinity of the fourteenth planet. The defenders in egg-shaped vessels without shields are hopelessly outclassed by attacking rod-shaped warcraft. The Good Hope draws fire but its shields hold. Khrest recognizes the attackers as a hostile reptilian race from Orion Delta, the planet Topid, and presumes that the victims are the native humanoid Ferrons. Recognizing that the Good Hope is far advanced even over the attacking Topides, sure that he can outrun them into hyperspace, Rhodan searches for Ferron survivors, finally rescuing one. He orders that in interacting with the refugee no reference be made to “Earth” or “Terra” - as far as the Ferrons are concerned, they are to be Arkonides.

With the aid of the Good Hope's positronic translator and the mutant telepaths, communication is quickly established with the Ferron named Chaktor. The Ferron have colonized several planets of the Vega sysem and have, despite an innate inability to comprehend the fifth-dimensional mathematics fundamental to hyperspatial mechanics, possession of highly advanced matter transmission technology. Khrest takes this as evidence of previous contact with technologically superior beings, perhaps those of his world of eternal life. The Ferron were totally unprepared for the invasion that has just befallen their system.

The Good Hope“microjumps” toward Ferrol – right into the middle of a raging battle in which the Terrans take the Ferrons' part – until suddenly a massive hyperspace incursion hits almost literally “on top of” them. A 2400-foot-diameter Arkonide battleship appears only thirty miles away from the much smaller Good Hope. To Khrest's astonishment the battleship does not respond to the Arkonide auxiliary vessel's recognition code signal, except to attack. It takes but a glancing blow from an enormous energy beam that virtually wrecks the ship to send the Good Hope careening off into space. They manage to limp to a crash landing at a Ferron colony on the ninth planet, Rofus.

Meanwhile the Arkonide battleship and the Topides decimate the Ferron fleet and start setting down on Ferrol. Rhodan surmises that the Arkonide ship must have been captured by the Topides previously – they would not be in alliance with them – so he sets Khrest to training his 43 surviving crew in operating an Arkonide battleship. He has in mind to capture it back, for earth. The Ferron ruler, the Thort, and many ruling Ferrons are using the matter transmitter to evacuate from Ferrol to Rofus. Rhodan negotiates use of the matter transmitter to place his men in position to take the battleship. Discovering that a Topide life boat crashed near the north pole of Rofus, he has Tako Kakuta and Betty Toufry capture the reptilian aliens by means of a psychoradiator to render them compliant. Interrogation confirms that the Arkonide battleship had been captured and its crew killed, further proving how rapidly the Arkonide Imperium is decaying. Rhodan and his men finalize their plans for an assault to capture the battleship for themselves.

***

Suddenly, the Perry Rhodan series becomes a true space opera – massive space battles, alien worlds, the stage suddenly being the galaxy rather than just the earth (with a little action on Venus, our nearest planetary neighbor). As the blurb on the back of the English edition puts it: “Thunderous warfare in interstellar space.”

Only really hinted at hitherto, the characteristic faster-than-light travel of at least the early parts of the Perry Rhodan series makes its first appearance here. I think something else called a “linear drive” had appeared by the end of the English run, but what I remember most about the Perry Rhodan series is a hyperdrive much like that postulated in and perhaps most identified with Isaac Asimov's Foundation series – instantaneous leaps across the light years – but with what seem to be some well thought out descriptions and effects here. It seems that ships must accelerate to near light speed in order to transition – with the effects of relativistic speeds at least alluded to. The gravitational effects of the sudden warping of space on either entry or exit from hyperspace are detectable across interstellar distances – instantly – the assumption being that such gravitic warping of space is not itself relativistic. Such warp effects are implied to be potentially devastating to nearby celestial bodies, making it inadvisable to jump to or from too deep in a planetary system. The effects are felt on the smaller scale as well, such as when the huge Arkonide battleship emerges only thirty miles away from the Good Hope (pp. 71-72) – the hull of the smaller ship rings like a bell, with equipment and instrumentation being overloaded and ruined. I only recall reading of such potential effects of space travel on the local space and objects in one of Diane Duane's Star Trek novels – The Wounded Sky if I remember correctly, where (again, if I remember correctly, not having read the book in perhaps 25 years) a starship uses its warp field to induce a star go go nova and destroy its pursuers. It seemed to me then and still does today that here you've got a weapon of mass destruction of nearly unimaginable force, far beyond that of nuclear or even antimatter bombs. I do seem to remember (vaguely) reference to “nova bombs” or somesuch in other Perry Rhodan stories from way back when, so maybe our authors continue to deal with the ramifications of the technology they are postulating here.

Another interesting technological appearance is that of “heavy neutron ray projectors” which “[attack] only organic life” (p. 67). I immediately thought of the neutron bomb which was a major issue in the news in the late 1970s, early 1980s if I recall correctly. The idea of the neutron bomb was a smaller scale nuclear device that would wipe out all life in a target area which leaving the technological infrastructure more or less intact except right at the blast site. A smaller-yield nuclear blast that produced a pulse of hard radiation that spread beyond the blast radius itself. It was, if I recall, condemned as a particularly insidious form of warfare. Anyway, the German author seems to have been up to date on current weapons research and development when this story was written (1961) – according to Wikipedia (http://en.wikipedia.org/wiki/Neutron_bomb ), the concept was conceived and developed from 1958 forward.

It's these kinds of things that make it hard for me to fathom the rather low reputation the series seems to have among wider science fiction fandom, at least here in the US. This all seems rather well thought out to me. Sure, the writing style is not the highest – this is not literature, it's essentially pulp– but even in translation I find the stories generally quite readable with a driving narrative that doesn't get boring. (So far the nearest thing to what I'd call “unreadable” would be The Wasp Men Attack, but I've already postulated a reason for why that turned out as it did.) I have certainly read much worse, and sometimes by authors who have much higher reputations than our Perry Rhodan scribes. A host of Star Trek novels that I used to read come to mind.

I'm not quite sure what the implications are of the passage on p. 92 where Rhodan makes one of the Topides disrobe (after gallantly having the “lady-folk” Thora and Betty leave their presence!):

“Rhodan clamped his mouth tight in order to suppress the same horrified outcry that the Ferronian ruler had made. Here for the first time was a revelation that the returning doctors would no doubt be able to verify.

“'My God!' whispered Dr. Haggard, his forehead reddening with shock. 'I had not considered this!'”

There follows an extended description of the “reptilian” Topides … but in my opinion no real explanation of the shock that Rhodan and Haggard feel. What in the world did Haggard see? What was the revelation that the doctors were to confirm?

I would think that perhaps the message would be that this is the first truly alien intelligence that humans have encountered – the Arkonides could basically pass for humans, while the Ferrons are described as more or less stocky blue-skinned, coppery-haired humanoids – but the fact that the Topides are reptilian was made way earlier and we've already dealt not just with the insectoid Mind Snatcher “Wasp Men” but the really weird-looking inhuman Fantan who preceded them:

“'...[I]magine a cylinder with rounded off ends, my dear Haggard,' Rhodan began to lecture in professorial tones. 'This cylinder is elastic to a certain degree and is completely covered with fine scales. In its upper part this cylindrical body contains several openings, which to us would look like so many dark holes. But in reality they do fulfill the functions of eyes, nose and mouth.

“'Six identical extremities branch off this cylinder at various places. They serve as organs of locomotion, food intake and the usual functions of our own legs and arms. The only difference is that there is no difference between the Fantan people's extremities; they are all alike.

“'The Fantan race is asexual and is propagated by a process similar to one known in some of your houseplants, Doctor Haggard, where a branch of a shoot off the parent plant gives rise to a new offspring.

“'This is what the Fantan people look like. Did you assume that all intelligent races from the universe must have the same appearance as you or me or Khrest? In time we will meet up with intelligent living beings that will seem more repulsive to us than our toads or tapeworms.'” (#3[a], Galactic Alarm, pp. 94-95).

Then again, I guess it must be remembered that these books were being plotted essentially by committee then written by individuals, a number of issues being written concurrently by necessity to keep up a week-in, week-out pace of publication. There probably was no way to assure any kind of really detailed consistency beyond what was accomplished.

Cheers, and Ad Astra!

Perry Rhodan #5(b), Mutants in Action (1970)

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By Kurt Mahr (= German issue #11, 17 November 1961)

After flying the crippled Good Hope to a remote desert base on Rofus as directed by the Ferron ruler, the Thort, where the ship can be better hidden away, Perry Rhodan finds that he has furthermore been given command of that base! He meets with the Ferron commander Hopthman and outlines his plan to use matter transmitters to invade Ferrol itself and capture the Arkonide battleship. It is known that there is a transmitter in the Red Palace on Ferrol that has gone undiscovered by the invading Topides, but it is not properly attuned to any transmitter to which they have access therefore cannot be currently used. The logistics are eased when a resistance movement on Ferrol, the Sicha mountain-people, manage to transmit a message cylinder to Rofus, letting their presence be known and requesting aid and direction. Rhodan dispatches Klein and Derringhous piloting the two Arkonide fighters on a reconnaissance and harassment mission against to Topides on Ferrol. Unfortunately they find that the Arkonide battleship, berthed at the Ferron capital Thorta's spaceport, has better tracking and fire control than they believed when it manages to score a glancing hit on Derringhouse's fighter. As he himself ejects, Derringhouse orders Klein to get back to Rhodan with their reconnaissance.

There follow parallel story-lines. Using Klein's reconnaissance, Rhodan finalizes his plans. He and his mutants plus a force of about thirty of the Good Hope's crew and 45 Arkonide fighter-robots pass through the matter transmitter to the Sicha hideout and make contact with Kekeler, leader of the Sicha resistance. They concoct a plan to move from Sic-Horum, the Sichas' capital, to Thorta. Meanwhile, Derringhouse, although hampered somewhat by Ferrol's forty percent higher gravity than earth's (which Rhodan and his men are able to ameliorate using Arkonide travel suits), makes his way toward the Ferron town nearest his landing site in a forested area. He manages to passably disguise himself by means of evenly applied “blueberry” juice-stains on his skin plus native clothing “borrowed” from a lone native (who will unfortunately wake up naked). In the town, Derringhouse first encounters an old Ferron man who directs him to a tavern, emphasizing that he should tell his son, the tavern-keeper, that Perk'la sent him. That son, Teel, accepts and feeds “Deri,” then takes him into a back room – where he is greeted by a small force of Ferrons with weapons drawn. Derringhouse identifies himself to Teel and his men as an Arkonide, from the sphere that had appeared and given aid to the Ferron defenders but then suffered damage and an emergency landing on Rofus. Teel and his group are an independent resistance movement. Derringhouse starts to work with them.

Not knowing of each others' activities, Rhodan and Derringhouse both end up working their way toward Thorta over a period of a couple of weeks, as Klein continues his strafing harassment of the Topides. This latter, unfortunately, provokes reprisals in the form of bombardments of Ferron cities on Rofus, disheartening the Thort. Rhodan manages to steal a matter transmitter from a Ferron post office (!) and sends Tako Kakuta into the Red Palace where the Topides have established their own headquarters to tune the secret transmitter there to the correct frequency to link the two. Working along similar lines, Derringhouse penetrates the Red Palace, hoping to use the transmitter to call in help from the desert fortress on Rofus. He and Tako end up discovering each other.

Knowledge of Teel's independent resistance group simplifies Rhodan's plans and allows him to consolidate his own forces for the capture of the battleship rather than dividing them to provide a diversion. Using the various mutants' abilities for scouting and diversion, Rhodan captures the Topide commander Chrekt-Orn and influences him by means of the psychoradiator to have the battleship moved to a berth on the edge of the spaceport and emptied of crew so new weapons can be installed. Unfortunately, Chrekt-Orn's own subordinates question his actions – very much against the basic Topide mentality – and the plan is almost scuttled. Rhodan and his force do manage to take the ship, but he is forced to abandon his intention of taking Chrekt-Orn as a prisoner. On the other hand, he does capture a squad of Topide guards sent back aboard the battleship at the last minute. The matter transmitter is quickly installed on the captured ship and Rhodan brings his full (albeit spare in numbers for a battleship crew) complement of men and robots through from Rofus. Just in time, as Chrekt-Orn's subordinate orders a full-scale attack on the battleship – to destroy it rather than let it be lost – it lifts off.

To Thora's astonishment, Rhodan does not make a break for interstellar space but rather heads to Rofus, to relieve the bombardment of their new allies there. He makes a risky hyperjump directly from Ferrol to Rofus orbit, returning to the refuge of the desert base. There, Rhodan lays out his plan to the Thort. He knows that, with the loss of their primary super-weapon, the Topides will be forced to an all-out attack. He plans to use the Arkonide battleship to inflict such losses on the Topides that they will take some time to recover – time that will allow him to return to earth to fill out a full crew. He also lays out a strategy for winning the war that requires deploying batteries of new transmitter stations in such numbers that the Ferrons cannot manufacture enough. To meet that need, he wheedles out of the Thort full technical data and schematics so that the Arkonide-based automated manufacturing plants of the Third Power can build them as quickly as necessary. The Thort reluctantly agrees to giving up this state secret to Rhodan. When the Topide attack comes, Rhodan and Bell employ what the latter calls “a game of hyperspace leap-frog” (p. 186) to keep the enemy from concentrating their own fire on the Arkonide battleship, which systematically decimates them with disintegrator fire. It is a total rout.

On the way out of the Vega system, Rhodan detours to Iridul, a moon of the twenty-eighth planet, where he deposits a secret base with supplies and equipment for future use. Interrogation of the Topide prisoners confirms what Rhodan had suspected, that the Topides had come to Vega in the belief that here was the source of the Arkonide distress signal, therefore a planet capable of taking out an Arkonide cruiser. Earth was saved from discovery – this time – by a simple error of calculation. As they jump for earth, “Bell mutter[s] to himself, 'It's too beautiful a region to leave to the lizards. We'll be coming back!'” (p. 189)

Another synopsis may be found at http://perryrhodan.us/php/displaySummary.php?number=11

***

The original German issue appeared the day before I did. I was born on Saturday 18 November 1961. And every Friday thereafter (I presume – the math seems to work out), down to today (I'm actually writing this on Friday 4 March 2011), there has been a new Perry Rhodan adventure. That is mind-boggling. And I guess, if nothing else, it means I could always know how many weeks old I am! The current issue is #2585, minus ten previous issues equals 2,575 weeks. Wow. (Interestingly, the official website from which I'm getting the original publication dates currently is in error as to today's date, listing it as “Fr., 3. März 2011” - http://www.perrypedia.proc.org/wiki/Quelle:PR2585 .)

Apparently my impression that a ship must accelerate to near light speed to jump and cannot jump to or from near a planetary body or BAD THINGS WILL HAPPEN is mistaken, at least to a degree. Or the authors are already engaging in the time-honored tradition of breaking their own “rules” for story-telling purposes. Whichever, Rhodan hyperjumps basically from orbit around Ferrol to orbit around Rofus – a stunt which does admittedly make Khrest break out in a sweat and which he calls “reckless” (p. 178).

I love it! - the Arkonides are basically described as human-appearing although having somewhat albinoid characteristics. Now we find that the Ferrons are near enough to human appearance that Derringhouse can basically just stain his skin blue with “blueberry juice” and pass for a native! I'm reminded of an issue of the old Legion of Super-Heroes in Adventure Comics (#369, June 1968), where the blue-skinned Shadow Lass is hiding out in Smallville, disguised as a human by simply applying (human) flesh-colored cosmetics. The game is almost up when some smears off her arm – alerting the other students that something's not quite kosher with their new classmate. But quick thinking on Clark's part squirts blue ink from his old-style fountain pen on the face of one of the students, allaying their suspicions! Of course, in the Perry Rhodan universe these humanoid aliens are basically the good guys (at least so far as we've seen) – not so the “wasp-men” Mind Snatchers, the “lizard” Topides, or the whatever-the-hell-they-are Fantan!

Interestingly, the Ferron have technical information and schematics as well as the ability to manufacture matter transmitters although the science upon which they are based is far beyond their own technological level – based on their “inherent” inability to comprehend “fifth-dimensional math” it would seem beyond their very comprehension. The matter transmitter technology itself is beyond even the Arkonides' development. I guess given the proper plans they could duplicate the machine itself without understanding it. But where did it come from in the first place? I'm sure we'll find out sooner rather than later – probably sooner, given Khrest's conviction in the previous story that it comes from the same race as his planet of eternal life, which it seems to me will be found fairly soon in the series. They are making too much of it, and Khrest was furthermore already convinced it is in the Vega system. Note that the title of Ace #13 is The Immortal Unknown. Anyway, now earth has access to this technology that even the Arkonides lack. Thora has to admire Rhodan's ability to do the seeming impossible even as it alarms her: “One of these days you're going to convince me that you could become dangerous to Arkon itself – in which case I'll probably put some hemlock in your wine!” (p. 183). Aw yeah, she's falling for him!

Cheers, and Ad Astra!

More to come....

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I just want to post a "placeholder" here to let anyone who comes across this blog know that despite the sudden lapse in postings a couple of weeks ago, there is more to come. I've not quit already! Life gets in the way.

I'm not going to bore you with the details, but a couple of weeks ago my brother and I discovered that our mother and grandmother have been victimized by a pretty significant embezzlement/identity theft, and have been dealing with the financial (and emotional, since it was perpetrated by another, very trusted and beloved family member) fallout. I ask for your patience and prayers, and promise to get back to the Project as soon as I can.

- Kent

Perry Rhodan #6, The Secret of the Time Vault (1971)

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By Clark Darlton (= German issue #12, 24 November 1961)

Chap. 1, “Rhodan 'Conquers' Galacto-City”

We take up at the instant that the undermanned Stardust II makes transition from the Vega System to Sol, with a perhaps more detailed description of the pains attendant on hyperspatial jumps than we've been given before. The spacesphere travels inward from Pluto's orbit to Earth with quite a bit of internal ruminations on the part of Perry Rhodan and company (Reginald Bell, Khrest, and Thora) with regards to the series thus far. The massive 3000-foot diameter ship makes quite a stir as it lands at Galacto-City, the center of the Third Power in the Gobi Desert, which has grown into a good-sized robotized industrial complex. Within hours of their landing, Rhodan opens a meeting in which Col. Freyt reports that Rhodan's orders transmitted by hyperwave from Vega have been carried out. A new crew has been hypnotrained to man the Stardust II, and the Mutant Corps is back from training on Venus and ready for action. Construction on Earth's own spaceships continues but is still a year away from launching the first cruiser. Politically, despite cooperation between Earth's powers, no united world government has been achieved, although Allan Mercant has unified all defense and secret services into one TDU, the Terran Defense Union. Rhodan declares his plans to return to Vega and deal with the Topides before they can make a serious search for the Earth. He also orders documentary films of their battles against the reptilian aliens distributed around the world – which has the desired effect of rallying the peoples of Earth behind him, calling for the union of all governments under the leadership of the one-time “enemy of mankind.” After eleven days, the newly-christened (by Thora, in what had to be one of the hardest actions of her life!) Stardust II launches for a test flight and wargames carrying two squadrons of 54 fighters each.

Chap. 2, “The Key to Eternal Life”

John Marshall and Dr. Haggard, along with a complement of Ferrons, are manning a secret Earth-base on the ice-moon Iridul of the 28th planet of Vega. Marshall launches on one of their almost-daily reconnaissance flights in-system, discovering that the Topides have recovered enough from their drubbing to start scouting missions in the outer system. Marshall reports this to Haggard and continues to Rofus to meet with the Ferron Thort-in-exile, who is greatly agitated. Agents on Ferrol report that the Topides are acting much more aggressively, preparing for a major offensive. He begs for Rhodan and “the Arkonides” to return. Marshall agrees to send a message to Rhodan at once, but he continues to wonder about the enigma of the Ferron matter transmitters as he makes his way back out to Iridul. Rhodan gets the hyperwave message just as the Stardust II is taking off for Vega.

After picking up Marshall and Haggard from Iridul, the Stardust II proceeds toward Rofus. Marshall reports to Rhodan that his meetings with the Thort have shed no real light on the mystery of the matter transmitters – but he has gleaned hints from the Thort's mind. The Ferrons indeed did not develop them on their own, and cannot presently build them, but plans are held in a sealed vault on Ferrol, secreted somewhere in the Red Palace and guarded by fifth-dimensional locks that only the Thort knows the secret to opening. The matter transmitters were the gift on an alien race to whom the Ferrons had rendered some great service, “beings that live longer than the sun,” native to “somewhere in the Vega system” (p. 44). Conrad Derringhouse's space fighters distract and harry the Topides, who are disconcerted that they cannot find their lost Arkonide battle cruiser. The Stardust II remains undetected as it sets down on Rofus and Rhodan lays out his plan to unleash the mutants on the Topides via the Thort's transmitter, to dishearten and drive away the reptiles with a minimum of bloodshed. He puts a delighted Bell in charge of the harassment. Then Rhodan coerces the Thort into setting about to gather what information still exists from the distant Ferron past about the beings who live longer than the sun.

Chap. 3, “To Live Longer Than the Sun”

Bell and the mutants, skillfully working together, lurk within various secret chambers and passageways within the Red Palace, and from there wreak havoc on the hapless Topide command structure and morale. For instance, the “hypno” André Noir imposes his will on Trker-Hon and others, forcing them to make insubordinate, treasonous proclamations to the consternation of Admiral Chrekt-Orn – who then finds himself spouting such words as he flies to and fro before the horrified eyes of his assembled officers, courtesy of Anne Sloan. The Topide commander is driven to seek permission via hyperwave across 800 light years from the Topide Despot to abandon and destroy Ferrol – whereupon Noir discovers that Chrekt-Orn believes that he now knows where the “right” planet is - “whose inhabitants live longer than the sun” (p. 60). The Despot orders the Topides to hold Ferrol and puts in charge a new commander, Rok-Gor, with orders to wipe out Ferron troops on Roful. That mission goes similarly awry thanks to the mutants. Ras Tschubai jumps from Topide ship to Topide ship, engaging in various acts of quick but devastating sabotage before jumping onward – until the ships turn back. As the Topides wait in fear for the arrival of the Despot's investigators, Ralph Marten “listens in” through their own eyes and ears. More psychic and telekinetic mayhem ensues. Meanwhile, Ferron guerrillas have some success.

Rhodan meets with the Ferron chief scientist Lossoshér, who confirms that “[t]he Ferrons have never been able to build the transmitters by themselves. … It was an alien race, to whom we once were able to render a great service. They made a present to us of a large number of mysterious instruments and included the instructions for building them. But we're supposed to be able to build them only when we've reached the necessary technical and ethical maturity. Therefore the plans themselves are in a vault in the Red Palace on Ferrol, protected by five-dimensional locks and a five-dimensional force screen. It's entirely impossible to penetrate this vault unless one is capable of thinking five-dimensionally and can thus find the keys to it. These are the precautions taken by the race that made this precious gift to the Ferrons. Thus the might of the transmitters can never be misused, for only those can construct them who have the required maturity” (p. 78). He goes on to reveal that the matter transmitters were actually bestowed by the second extraplanetary people to come to Ferrol. Earlier a people piloting a gigantic sphere had landed, but now a gigantic cylinder had crashed. Its people were aided (over the course of many years) and were ultimately able to depart once again, leaving their gifts. They purported to come from the tenth planet of Vega (Ferrol and Rofus are the eighth and ninth), but the Ferrons never found any trace of them there once they had developed their own space flight. In all the years they were on Ferrol, however, the aliens did not age, and answered inquiries only that they “lived longer than the sun” … with the further cryptic remark, “but the sun itself wants to prevent us from doing so” (p. 81).

Chap. 4, “The Greatest Secret of the Universe”

As the Topides made preparations for the Despot's inquisitors, Rhodan secretly transmits to the Red Palace and with the aid of the mutants finds the vault – or rather where the vault should be according to the “seer” Wuriu Sengu. No one else can see it – it is hidden by a five-dimensional cloak that even Tako Kakuta cannot penetrate through teleportation. Rhodan determines to consult the electronic brain of the Stardust II.

When the Topide investigators arrive, Bell and the mutants treat them – and the Despot observing via hyperwave – to the same treatment given Chrekt-Orn and company, only more so. After Rok-Gor is killed, the Despot places Chrekt-Orn back in charge, with the ultimatum that he finish out the Vega campaign with success or return to Topid for execution. Nevertheless, Chrekt-Orn orders a mass evacuation of Ferrol.

Chap. 5, “The Infinity Box”

The Topides do not leave Vega, however. Rather they retreat to the 40th planet and dig in on its six moons.

Rhodan finally confronts the Thort and demands the secret of opening the vault, bluntly threatening to abandon the Vega system altogether, leaving the Ferrons to the tender mercies of the Topides if he does not cooperate. The Thort gives in. The key is a formula: “Dimension X=pentagon of space-time simultan” (p. 103). Rhodan also “negotiates” the establishment of an Earth base on Ferrol, then goes off to consult the positronic super-brain as to what the key means.

After the return to Ferrol and the establishment of “Rhodan's first galactic base” (p. 105), Rhodan reveals to Khrest and Thora that the positronic brain has cracked the formula. “The five-dimensionally secured vault is in reality a quite normal four-dimensional affair. The documents do exist, but not in the present time – that is the fourth-dimensional factor of the mystery. The protective shield consists of transformed radiowaves of far distant radio stars – well, simply cosmic rays. Add to that some technical tricks, effects created by bending light rays, and naturally existing energy walls. All these obstacles can be rendered ineffective when certain events occur at the 'simultan' instant.” To bring about these “certain events,” Rhodan proposes to “use my mutants. Tanako Seiko is a natural-born detection finder. He can receive normal radiowaves sent by intelligent living beings and understand them. But in addition to that, he can also receive the waves emanating from the radio stars – the same waves that form the energy screen around the secret vault. If he succeeds in deflecting them, we'll gain unhindered access to the documents, which will simultaneously be brought to the present time. … Tanaka won't be able to manage by himself, but together with several other mutants it will be possible, thanksto the fact that their individual gifts can be combined in their effect when the mutants touch each other or hold hands. I'll need a telekinetic and a teleporter and, of course, also Sengu, who will announce when the barrier collapses” (pp.106-7) Rhodan does gain access to the Time Vault – a task which almost ends in disaster for Ras Tschubai who is briefly lost in time when Anne Sloane collapses under the strain of diverting the cosmic rays. Inside the cube found therein, Rhodan finds the plans for the matter transmitters, but decides that the time is not yet right to actually build them. He also finds documents written in an encoded form of the ancient Arkonide language. Khrest undertakes the translation of these while Rhodan dispatches a message to Earth that he will remain in the Vega System for an indefinite period.


* * *
This volume marks an important event. Approximately a year passed between the publication of #5 and #6 due to “international contractual transactions” (p. 7). But Forrest J. Ackerman now announces a new monthly publication schedule in a new format, which he calls alternatively a “magabook” or a “bookazine” complete with the editorial from which I drew this information (signed “Forry Rhodan”), illustrations by “exciting new 'find,' Bill Nelson” (p. 8), letters pages entitled “The Perryscope” (which this issue contains a letter [p. 125] by Dwight R. Decker, most recently the translator of Perry Rhodan: Lemuria vol. 1, Star Ark by Frank Borsch [FanPro, November 2006] [this most recent effort to reignite Perry Rhodan publication in the United States fizzled out with that one book]), and Ackerman's own science fiction film review feature, “Scientifilm World.”  Unremarked in the editorial there was also the introduction of chapter titles – as I comment in a previous post, these were created for the English translation by Ackerman himself; a list of major characters on the first page; a “series colophon” (above left); and a teaser for the next issue, “The Ship of Things to Come.” (I can see why some science fiction fans, unenchanted with “4SJ's” bad puns and neologisms, would find the worth of the entire series diminished.  Add the pompous "Peacelord of the Universe" title ...  I can only take so much myself.)  And there were chapter end blurbs such as “50 adventures from now you will meet The Blue Dwarf!” Of course, the promise that “400 adventures from now you will experience Danger from the Sun!” went unfulfilled.

Acknowledging that it had been an extended period since the publication of #5, this issue has a bit more fully written expository material near the beginning, which I suspect was introduced by the translator. However, my own suspicion that it was at this point that what had been the “Third Power” became the “New Power” as in The Wasp Men Attackproves unfounded. I read somewhere that “New Power” is one of Ackerman's changes – is that indeed the case or is there such a shift at some point in the German original as well, explained within the stories themselves?

Perhaps related to the new contract governing English translation and publication, starting with this issue Waltern Ernsting's pen-name “Clark Darlton” will be used, even though Ernsting continues to be identified under his real name as one of the co-creators of Perry Rhodan. Whichever name is used, I still find Ernsting/Darlton the most engaging of the writers, even in translation. One point I previously made is that his characters seem more fully developed, with a more humorous air – this we see full tilt as Bell's mischievous nature is unleashed without restraint upon the hapless Topides. It's very much in keeping with what we witnessed in #1(b), The Third Power, albeit with less tragic results – at least for humans.

The humano- or anthropocentric bias of the series overall is still very much in evidence. Rhodan does everything for the good of humans – even the humanoid but blue-skinned Ferrons seem a lesser breed in his eyes. Both the Terrans and the Ferrons routinely refer to the Topides as “lizards.” But at two points in this book we see an interesting contrast to this attitude. First, from (the humanoid alien Arkonide) Khrest in response to Bell's disbelief that a peace treaty would even be possible:

“The intelligent races of the universe come in many different shapes; that doesn't mean they're better or worse than we are. The Arkonides have concluded friendly deals with spider-type creatures. Our best friends belong to an aquatic race living in the oceans of a watery world. No, my friend, the outer appearance is not what matters. Only character should count.”

“Do the Topides have any character?”

“Everyone has a character …. Sometimes the character is good, sometimes it's bad. That's the only difference.” (pp. 27-8)

Perhaps Rhodan contemplates these words through the course of the adventure (although we see no evidence of it along the way). At the very end, he suggests that some “amicable arrangement” might be reached with Chrekt-Orn, who “seems to be a sensible man.”

Bell takes exception to this: “Man! … How can you call that lizard a man?”

“You must learn to think in galactic terms, Reg …. What does it matter what an intelligent life form looks like if we want to remove the barriers between us. I don't doubt but what you're not exactly a beauty in the eyes of the topides, Reg ….” Which gives birth to some good-natured teasing of Bell by his friends, closing out the story.

There was one question that bugged me throughout the reading of this story, that went unanswered (technically) until p. 101. Only there does Rhodan reveal that the plans for the matter transmitters that he had extorted from the Thort in the previous story, which had been so much a plot point there, were nothing more than skillful forgeries – something obvious to the reader long before that point but that I thought the heroes (and writer) did not remember or realize. Given Rhodan's promise to use the automated manufacturing capability of the Third Power to produce a number of transmitters that he would bring back, and the idea that his plans for opposing the Topides dependded on such a multiplicity of transmitters, it was odd that this was never mentioned at all most of the way through the story, especially when the Stardust II arrived on Earth. There are times when logical story-telling seems to break down, which I believe is due to the plotting-by-committee then writing-by-individuals nature of the series. It had (has?) to be hard to keep the continuity and consistency straight. But to draw my oft-used comparison, it makes me think of the creative process by which comic books are written, especially “families” of titles like the Batman“universe.” Similar lapses of consistency and continuity are inevitable.

“Weak sister” Anne Sloane once again swoons into Perry Rhodan's arms during the climactic opening of the Time Vault – nearly leading to the loss of Ras Tschubai. Rhodan promptly deposits her into Reg Bell's care.

Another point of (mis-)translation that I discovered in trying to figure out a question I had regarding Cedric Beust's English summary of Perry Rhodan nr. 12, Das Geheimnis der Zeitgruft– the other summary linked to as usual at the end of my own – is that the “Topides” in the English Perry Rhodan series were originally the “Topsiders” in German. Beust preserves this in his summary.  I can definitely see why this minor change was introduced - "Topsiders?  On the top side of what?"

Besides the couple of recurring art pieces shown above, here are a couple of representative examples of the art pages that were introduced into the series with this volume:

 Perhaps I'm overly harsh, but I'm not impressed so far and hope the quality improves in future installments. 

But reference to the interior art brings to mind that I've never yet commented on the cover art. First, I find some of the cover art of the English translations downright gorgeous – but then I've always been a bit of a fan of the work of Gray Morrow. You can read more about this three-time Hugo Award winning illustrator here on Wikipedia http://en.wikipedia.org/wiki/Gray_Morrow and see some examples of his comic book art here http://lambiek.net/artists/m/morrow_g.htm . Unfortunately many or most of his Perry Rhodan covers have little or nothing to do with the stories themselves. Nevertheless, the image of the hero himself that graces #50 and which I used to create the banner for this blog is for me iconic. It will forever be how I envision Perry Rhodan. And the cover to #70, Thora's Sacrifice will forever shape my image of the haughty Arkonide princess.  Although the attire is not all that flattering, it reminds me of Princess Projectra from the Legion of Super-Heroes.  And some other of Morrow's women … wow! (On the cover of #59 may well be Thora as well, not looking quite so haughty.)

But Gray Morrow did not provide cover art for all of the English translations. I'm not sure of the reason, but several early volumes that I haven't gotten to yet instead duplicated the original German art (sometimes not of the corresponding German issue, however). That art was, as I understand it, during this early period of the series the work of Johnny Bruck. You can of course see examples at the top of each of my postings. A German-language page about Bruck may be found here http://www.perrypedia.proc.org/wiki/Johnny_Bruck . There seems to have been something of an effort to make the cover art match some element of the story, at least in concept, but not always. I find his style overall very reminiscent of the art of such American pulp magazine cover artists as Walter Baumhofer, the usual artist for Doc Savage Magazine. Here's an example pulled at random.

Which do I prefer? Well, as my old drunken mentor would often say, (mumble). Seriously, I like them both. Were I forced to choose, however, I would (barely) go with Bruck, simply because it's the original and because, well, after all, the original German Perry Rhodan is indeed a pulp magazine series.

* * *

I would like to return a plug given me by a Brazilian Perry Rhodan fan, César Maciel. I was playing around with Blogger the other day, checking out something called “Stats,” and discovered that among all kinds of other information it gives data on how people have come across my blog. You can trace back to the referring page. Which brought me to the Blog de César Maciel: Um pouco sobre mim e muito sobre “Perry Rhodan”, a maior série de ficção cientifica do mundo. It is in Portuguese, but I find that Google Chrome's internal translator renders Portuguese into much more readable English than it does German. It probably has something to do with word order and syntax. Anyway, even without a translator you can see that Perry Rhodan is something central to Maciel's blog. And it is indeed a treasure trove of information and ruminations on the series and what it means to a Brazilian fan. About a month ago he took notice of my own blog, and since I've discovered his I've been having a lot of fun. Thanks, César!

Wow. This was a long post!

Ad Astra!

* * *

Note:  Sorry for the really weird, whompy-joed formatting in places.  I've been playing with images in this post.  The results are definitely not to my satisfaction and I doubt I'll ever get this ambitious again.  Live and learn!

Perry Rhodan #7, Fortress of the Six Moons (August 1971)

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By K. H. Scheer (= German issue #13, 1 December 1961)

Chap. 1, “Someone Always Gets It on the Dawn Patrol”

While on a reconnaissance flight launched by the Stardust II's auxiliary space-sphere S-7, near the fortieth planet of Vega on whose six moons the alien Topides are digging in, Major Derringhouse and Sergeants Rous and Calverman unexpectedly find their space fighters at the exact point of emergence of an armada of Topides from hyperspace. They come under attack and are heavily damaged almost immediately. Calverman's ship is hit worst, and he goes down in flames into the atmosphere of the fortieth planet despite Derringhouse's attempt to save him. Derringhouse's own fighter is damaged in the attempt but he is himself rescued by Rous.

Chap. 2, “Galactic Goal”

Perry Rhodan, Reginald Bell, and John Marshall are having little luck hashing out a trade agreement between Earth and Ferrol. The Thort of Ferrol and his Counsel [sic] of Ministers are sticking mainly on Rhodan's insistence on a Terran trading station enjoying full extraterritorial status on their homeworld. Rhodan breaks off negotiations for the day with a subtle reminder that the Topides have not been driven entirely from the system and that the Ferrons would benefit from further military exchange with Rhodan's people. As he and Bell are returning to the Stardust II, the S-7 screams into a meteoric emergency landing, bringing the severely injured Derringhouse to the mother ship's medical facilities. Major Nyssen, commander of the S-7, reports to Rhodan that the Topide base on the six moons is being heavily reinforced.

Chap. 3, “Rhodan's Ruse”

After checking on Derringhouse, who is resting still and unconscious in a bath of “biosynthetic cell-activating serum” (p. 39), Rhodan and Bell take a rather acrimonious meeting with Khrest and Thora. Thora is characteristically focussed on the barbarity of the humans and her desire to return to Arkon; Khrest uncharacteristically believes his search for the beings with the secret of eternal life has failed and adds his entreaty to that of Thora. Rhodan absolutely refuses to do anything that might lead to the detection of Earth by the galaxy at large. Even Bell thinks Rhodan treats the Arkonides with needless harshness. Then Rhodan unexpectedly asks for a wigmaker – to Bell's further mystification.

Retreating to the privacy of his own cabin, Rhodan secretly contacts Chaktor, the Ferron they first encountered, who is now a liaison between Terrans and Ferrons. He requests a secret meeting, which occurs shortly in a run-down part of the capital city. It transpires that Chaktor is a double-agent working for Rhodan. He has infiltrated the Ferron anti-Terran resistance. Rhodan sets in motion a complicated plan to discredit the resistance and remove the threat of the Topides in one fell swoop. The complexity of the plan unfolds gradually over the rest of the story.

Chap. 4, “Time is Running Out”

Chaktor leads his men in the resistance in their part of the ruse, which has Ishi Matsu shot down "fleeing" from John Marshall and André Noir – who are in turn shot down by Chaktor's men even as the "mortally wounded" Ishi throws a package to Chaktor in plain view of a crowd of onlookers. Chaktor and his men make their getaway.

Shortly after Chaktor reports success to Rhodan, the latter oversees the departure of Nyssen and the S-7, which is to jump through hyperspace to a set of prepared coordinates from which it is to send out a coded hyperwave message back to Vega.

Chap. 5, “Tricking a Topide”

Using his influence with the Thort, Rhodan has a high-ranking Topide prisoner, Chren-Tork, brought from a prison moon for questioning. Bell, in disguise and escorting the prisoner, lets slip something that confirms the Topides' suspicion that they were in error believing that the Arkonide distress signal they were following had originated in Vega. During the subsequent interrogation Rhodan and his men, including the “mesmeric mutant” Kitai Ishibashi, are disguised as Arkonides. Between the mutant and an Arkonide psycho-ray emitter, “certain ideas [are] firmly planted in [the Topide's] brain,” setting up the next phase of Rhodan's plan.

Chap. 6, “Beyond Imagination”

Chaktor begins the operation by freeing the Topide from a Ferron prison before he can be transported back to the moon. They flee Ferrol in a stolen Ferron destroyer. Rhodan meanwhile has taken the Stardust II on a reconnaissance cruise out of position to intercept them. Nyssen's broadcast is heard from light-years away in the Capella solar system, as is Rhodan's response ordering a massive fleet movement from Capella to attack the Topides in Vega – leaving “Rhodan's homeworld” denuded of its defenses! Thora, who has already scoffed that the intelligent Topides will never fall for such a ruse, is further offended by the very audacity of Rhodan's plan.

Chap. 7, “As If the Universe Had Come to an End”

To convince the Topides that they cannot stand against a massed attack by his people, Rhodan uses the Stardust II to carry out a demonstration strike that obliterates the smallest moon of the fortieth planet with a gravitation bomb even as Chaktor and Chren-Tork arrive at the main Topide base. Then Rhodan settles in as if to wait for reinforcements before the main attack.

Chap. 8, “Target of Doom”

The package received by Chaktor from the “Arkonide defector” Ishi Matsu contained charts and documents prepared by Khrest which located Rhodan's native world as the fifth planet in the solar system of Capella, 45 light-years from Vega. These documents, plus Chren-Tork's conviction that the Topide's attack on Vega in the first place had been based on a mathematical error, plus the prospect of a mass attack on the six moons that will leave Rhodan's homeworld defenseless – all this together convinces the Topide commander Chrekt-Orn to throw everything he has into a mass attack on “Rhodan's homeworld.” Derringhouse and Nyssen, carrying Tako and Ras Tschubai respectively, launch their fighters on a mission to extract their ally Chaktor. The mutants teleport in on a close flyby, find the Ferron, and manage to bail out a hatch just before the Topide ships make transition. Only after the Topides have departed Vega does Khrest harshly reveal his own modification to Rhodan's scheme – he subtly altered the hyperspace transition coordinates given to the Topides so that they are jumping not to the vicinity of the fifth planet of Capella but rather “into the very core of the sun Capella. … They'll never come back!” Rhodan is stunned at the Arkonide scientist's ruthlessness – but Thora philosophically points out that the Arkonides of old did not win their empire “with well-meaning words alone” (p. 113).


* * *

Notice that the cover of the US edition above has the banner "Third Printing."  For some reason, and I've seen various information on this, the US editions from #6 to #13 were initially printed with art taken from the German covers by Johnny Bruck.  Here's the first edition cover:

In second and third printings, however, Gray Morrow art and what would become the standard design of the US editions were introduced.  My copies from this span of issues vary from one to the other.  It is my understanding that US editions #1-5, however, had Gray Morrow art from the beginning.  I may be mistaken, and have no idea what story may lie behind these variants.

Perhaps the most memorable “milestone” in this story is the unremarked (within the story) introduction of the term “New Power” to describe Perry Rhodan's new polity in the Gobi Desert. It appears on the back cover as well as on the first page of the second chapter. I call your attention to Al's comment to #6, The Secret of the Time Vault, that this is indeed one of Forrest J Ackerman's editorial changes to the series, perhaps because some critics identify the idea of a “Third Power” with the “Third Reich.” I've been unable to find the article he mentions in the comment, however. I thought perhaps it might be B. Kling, "Perry Rhodan,” Science Fiction Studies 4.2 (July 1977): 159-61 <http://www.jstor.org/stable/4239110>, that I had found some time ago, but when I found it again it is clearly not the same. Kling does beat the fascist drum pretty hard, however.

Regarding Forry's changes to the series for an American readership, Martin Hansen's letter in The Perryscope, p. 123, bears quotation: “I've seen a few of the original PR magazines and I notice some of the names of the characters are changed, for instance Reginald Bull, Crest, etc. Why is this?”

FORRY RHODAN replies: “We thought the reasoning behind the change of Crest to Khrest would be self-evident to Americans (are you perhaps an alien in disguise?): Crest would inevitably make one think of a certain well-advertised toothpastewhich shall remain nameless,hence the respelling of the Arkonide's name. Bull we changed to Bell because in the German series he is nicknamed 'Bully' (we call him Reg) and while Bully may seem perfectly sensible to German ears you must admit that it sounds a little humorous to American and could easily misconvey his character. We left Thora alone (altho [sic] that is more than we can say for Perry, who seems to have more than a passing interest in her) because our readers will automatically pronounce the 'th' sound, very few realizing that in Germany she is thought of as Tora! Tora! Tora!”

I'm not sure exactly what Rhodan hoped to accomplish with regard to the Topides by his ruse. He even alludes to it once they have jumped out of Vega: “The only question that remains is what they'll do in that deserted system, devoid of any life. Of course, they'll find out right away that they've fallen into a trap and that they've become the victims of a deceptive maneuver.” What was to keep them from jumping right back to Vega? … Well, what except Khrest's modification?! I think this twist at the end in to Khrest's character will be the most memorable aspect of this story for me.

Derringhouse's healing tank (p. 39) reminds me very much of Luke's in The Empire Strikes Back.

A couple of stylistic comments:

Perhaps in 1971 the use of the term “retarded” as on p. 27 - “The Ferrons, whom Reginald Bell now regarded as somewhat 'retarded' ...” - was considered acceptable, but it definitely is not today. Times change.

On p. 21, the Thort of Ferrol's “Counsel of Ministers” should be a “Council of Ministers.” The words are often confused but are not interchangeable.

A few more questions:

Why, after the events of the previous story, is Khrest so convinced that his quest for the planet of eternal life has failed?

Why are the Ferrons so exercised by the prospect of a sovereign Terran trading post on their world when in the just previous story they accepted the establishment of a military base? Or at least the Thort did, albeit under pressure from Rhodan. I would imagine there was more to the opposition than we saw. (But is it just me, or is this issue pretty much forgotten by the end of the book?)

Wasn't it established several stories back that the teleporters Tako and Ras have the ability to carry someone along with themselves? Why then don't they just grab Chaktor from the Topides and jump back out into space rather than have to find a hatch to physically bail out?

I hope the synopsis above makes sense.  This was, I think, the most difficult story thus far for me to summarize.

Cheers, and Ad Astra!

Perry Rhodan #8, The Galactic Riddle (1971)

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By Clark Darlton (= German issue #14, 8 December 1961)

Chap. 1, “The Mysterious Planet”

The Ferron scientist Lossoshér accompanies Perry Rhodan and the Terrans aboard the Stardust as they sweep through the Vega system on a charting mission. They search for the “Tenth Planet” which according to ancient Ferron records is the home of the Beings Who Live Longer Than the Sun. But the current tenth planet is a lifeless world which shows no evidence of ever having supported life. There is a discrepancy, however, between ancient Arkonide survey records of a total of 43 planets in the system and the current reality of only 42, which leads them to theorize that the former tenth planet had been moved out of the Vega system altogether. This conjecture seems in line with a gap between the ninth and tenth planets. Rhodan plans to return to the Time Vault for further clues. The positronic robot brain at the heart of the space sphere has formulated a method of negating the time lock and opening it at will.

On Earth, Col. Freyt receives a message from Rhodan reporting the successful conclusion of a trade agreement with the Ferrons and orders beginning production of export goods. But the Stardust will remain in Vega for the time being. The hyperwave blackout is to be maintained to keep secret the location of Earth.

Chap. 2, “Who Goes There?”

Rhodan meets with Thora and Khrest, agreeing to “search for the planet of eternal life first; then to [transport them] to Arkon; and finally to [return to] Terra” (Thora, p. 23) – with Rhodan's own condition that only with his express permission will the Arkonides be given the spatial coordinates of Earth. Next, he meets with Lossoshér, who proposes another theory as to the location of the “Tenth Planet” - that it was not moved completely from the system but was rather “hidden” as a moon of one of the larger planets. Although he is skeptical, Rhodan turns over a fighter pilot to take the scientist on a closer survey of the system's moons. That pilot, Sgt. Groll, is resentful of this assignment.

When the time-lock field of the Time Vault beneath the Red Palace on Ferrol is negated, objects fade into view from their hiding places scattered through time. In their midst is a matter transmitter. Unfortunately, it is found to be non-functioning. But inside is an inscription – a riddle – in the language of the immortals: “You will find the light, if your mind corresponds to that of the highest order” (p. 43).

After exploring several moons, Lossoshér and Groll approach the second moon of the thirteenth planet (“13B”). This satellite is of larger than normal size, virtually a planet in itself, with an atmosphere. Landing, they separate to explore. Then, Groll realizes that they are not alone....

Chap. 3, “The Lurking Danger”

In short order, the positronic brain works out how to repain the matter transmitter, which it turns out had been deliberately left in a non-working state. An Arkonide worker robot is programmed to carry out the repairs, accomplishing the task in a mere hour. Rhodan plans to activate it the next day.

As night falls on moon 13B, Lossoshér is unaware that he is being observed as he uncovers a pyramidal structure near a rock pillar containing a round doorway into a tunnel down into the ground. In the gloom, Groll observes the humanoid creature stalking the Ferron scientist and shouts a warning, whereupon it dashes into the tunnel.

Chap. 4, “Stranger in a Strange Tunnel”

Rhodan, Reg Bell, Khrest, Dr. Frank Haggard, Anne Sloane, and John Marshall enter the matter transmitter cage along with the Arkonide robot. They leave Ras Tschubai to stand guard over the Time Vault. When Rhodan activates the transmitter, it is apparent that they are being sent across a much further distance that just between the Rofus and Ferrol, the eighth and ninth planets of Vega respectively – they experience pain like that of a hyperspace transition across light years. They materialize inside a giant hall “cluttered with machines and all kinds of strangely formed objects” (p. 64). Another inscription appears on the high ceiling – for an instant only, too quickly for them to focus on it. Luckily, Khrest's eidetic memory allows his own brief glimpse to be enough. Rhodan dispatches the robot back to the Time Vault and the Stardust to have the positronic brain decipher the message. The group who remains then feel their minds being probed. Only the telepath Marshall can perceive a message, reporting that they have passed a second test. Next, they are subjected to feelings of panic as two giant rolling robots advance on them and the matter transmitter from opposite directions. The narrow passages between the various machines and objects allow them no escape from their paths. Sloane uses her telekinesis to pick one of the robots up and slam it to the floor, destroying it, but the effort is too much for her and she collapses. Rhodan is certain that the purpose of the remaining robot is to destroy the matter transmitter – their only way home – if they cannot stop it. Only Sloane's telekinesis could avail against it, and she is not up to another such effort. Rhodan laments that he had not brought Betty Toufry on the expedition, and almost immediately the Arkonide robot reappears in the matter transmitter along with the nine-year-old prodigy. The positronic brain had advised the robot to bring her along with the decoded message: “Welcome to the center of a thousand tasks – but only a single one of these will bring you closer to your goal” (p. 76). Rhodan focusses Betty, a much stronger telekineticist despite her youth, on destroying the second robot. But even as that is done, “[t]he matter transmitter that had brought them to this place, and which represent[s] their only link with the outside world, [vanishes]” (p. 79).

Back on moon 13B, Lossoshér is certain that they have found the world of the immortals. As soon as it is light once more, he and Groll set off down the tunnel – where they come upon a reptilian humanoid pointing a weapon directly at them.

Chap. 5, “Countdown to Eternity”

Rhodan and his group find the chamber in which they are now trapped growing warmer and warmer. In the coolest area, they find a strange machine which Khrest identifies as a “fictive-transmitter” - “a theoretical possibility … never practically explored” by the Arkonides. “It functions according to the principles of fifth-dimensional geometry. Mechanical teleportation with ray impulses capable of seizing objects. This way it is possible to teleport things from any place in the universe to somewhere else” (p. 87). When Rhodan activates it, the back wall of the chamber vanishes, revealing a much larger version of the same apparatus. The group approaches it, whereupon the telepaths receive a message: “You have exactly 15 minutes … in which to leave this place. However, you will find the light only if you are able to return” (p. 90). An oppressive droning noise now accompanies the even more rapidly escalating temperature of the larger chamber – a further testing of their nerves and stamina. Rhodan perceives that their only escape is in activating the fictive-transmitter – but then finds its controls blocked by an invisible barrier. He is stymied at first, then a general telepathic broadcast they can all perceive gives him the clue he needs. “You have just a few minutes left! Apply the ultimate wisdom and knowledge – otherwise you will be lost forever...” (p. 94). With seconds to spare, Rhodan has Betty activate the fictive-transmitter by telekinesis. “They dematerialized and were hurtled through the fifth dimension. They were unaware that the giant machine hall with the fictive-transmitter inside became vaporized in the sudden hell of an atomic chain reaction” (p. 95).

Chap. 6, “Mystery of the Glowing Sphere”

Groll and Lossoshér recognize the creature threatening them as a Topide! Groll and the Topide fire on each other simultaneously. Only Groll's instinctive dive for the floor saves him – the Topide is vaporized. Shaken, he and the Ferron scientist continue to the end of the tunnel, finding themselves in a large, multipaneled control room with various mystifying instruments. They depart without disturbing anything, to take news of their discovery back to Rhodan, seeing as they leave the wreck of a Topide life pod.

When Rhodan and his group reappear in the underground hall of the Time Vault, they find that while they have experienced over four hours only five minutes have passed for Ras Tschubai. A glowing sphere of energy appears, in which can be seen a dark shape. Rhodan plucks from the ball a small metal capsule which he finds to contain another message.

Chap. 7, “Mental Giants”

Back aboard the Stardust, the positronic brain confirms that the new message is encoded and will take time to decipher. Groll and Lossoshér report to Rhodan, who also feeds the inscription from the pyramid on moon 13B into the brain. He is momentarily angered that Groll killed what must have been a lone Topide refugee from the repulsed invasion force, until Lossoshér assures him it was self-defense. The brain almost immediately spits out a cryptic translation of the pyramid inscription: “Many ways are leading to the right. Some are only detours. The trail points toward the right direction” (p. 114).


* * *

The extras in this third “magabook” are: “Forry Rhodan's” foreword, “The Rhodan Magnetic Digest”; a 25-question “Scientifilm World” true-false quiz in which all the answers are “false” (I can hear the howls from my students were I to try such a stunt!); and the “Perryscope” letters' column, which also contains a very poor quality photo of Swedish acress Essy Persson as Thora in the 1960s European film based on the first Perry Rhodan story. Ironically, after all his twisted little alterations to titles and such in the aforementioned quiz, Forry then flubs the US title of this movie, calling it “Operation Stardust” when in reality it was Mission Stardust. I'm not even going to try scanning the picture of Thora; here's one in color from http://www.scifibabes.co.uk/1960s.html:


I've never seen that movie, but reportedly it's pretty bad.

* * *

Here's the real riddle: What do Brainiac 5 ...
















                   ..., Man-Thing ...
                                                                          ... and a platinum-blonde Orion slave girl ...










... have in common?  Answer: They're all on Gray Morrow's cover for this Perry Rhodan adventure!

 ... By the way, I've always found “Giant-Size Man-Thing” the funniest title for a comic book ever! And then there's the modern reprint volume, The Essential Man-Thing! Anyway, is the visual similarity a coincidence? The Marvel character first appeared with a May 1971 publication date, the same year this book was published in English, but note that the first Ace printing actually had a cropped version of the German issue's cover and that Gray Morrow's cover didn't appear until the second printing in 1972. Could be.  ... Sadly, I couldn't find a blonde Orion slave girl except various cosplayers ...


..., but I've always found the raven-haired original, Vina, to be so hot-- er, iconic. ... Seriously, I think the man and woman on the cover of PR #8 are supposed to be Perry and Thora, with the green tint just for effect – but I have no idea what that creature is or what the stylized atomic structure is meant to represent (or why Thora would be wearing a swimsuit).

Incidentally, notice how the German cover painting seems to at least attempt to represent an image in the story – the group in the matter transmitter – although there are not enough characters present and they are not terribly recognizable. Is that Moses on the right?


Not for nothing does Sgt. Groll's name translate to “resentment”! Throughout this story he is (annoyingly) disgruntled at the assignment that he has been given. Playing chauffeur to the Ferron scientist Lossoshér is not his idea of an exciting “special mission.”

Another translation note/question: “fictive transmitter” appears to “translate” the German term fiktivtransmitter. I thought maybe fiktiv might mean something different from the connotation of English cognate words, but as far as I can tell it does mean “fictitious, fictional,” and so forth. I'm not sure what we're supposed to take from this.

There's a great deal of discussion along the way through this book, between what almost seems to be an overly enthusiastic Perry Rhodan following the trail left by the immortals and Khrest, who sure seems to have developed cold feet and doubts as to their very existence given that the search was what brought the Arkonides to this sector of space in the first place as well as what all they've seen to this point.

Interesting again, in light of the oft-commented humano-centric character of the series, is mention of “Rhodan's principles,” against which it is “to judge any alien by his outer appearance” (p. 68). In practice, as I've noticed previously, it doesn't really work out that way. The more closely in human appearance the aliens we've seen are, the more sympathetic has been their portrayal.


Notice that the former Stardust II is in this book simply called the Stardust.  It's also interesting (and I've noticed but not noted in previous stories) how the events of the first stories are summarized very sparsely as "Rhodan finds a crashed Arkonide space ship on the moon and rescues two survivors."  Not exactly how it happened. 

As usual, here are a couple of stylistic comments:

The French danse macabre does directly translate to “dance macabre” (p. 98), but it's usually rendered “dance of death” in English. Properly it refers to a medieval artistic trope inspired by the horrific crises that struck Europe in the fourteenth century – famine, plague, war – usually visualized as a bunch of skeletons of individuals from all walks of life, peasant to king, Pope, and emperor line-dancing their way to the grave. Metaphorically the term seems, as here, to convey the idea of mad, frenzied, jerky thrashings.

I've noticed but not noted in previous adventures the misuse of the term “constellation” to describe the Vega star system. The error seems to pervade this volume. A constellation is in reality only an apparent grouping of stars as seen from Earth – it is not the same thing as a star system or any other natural grouping of stars. The star Vega is also known as Alpha Lyrae, the brightest star in the constellation Lyra, The Lyre – as seen from Earth. Here's the Wikipedia article: http://en.wikipedia.org/wiki/Vega . But the stars which make up the constellation Lyra are in reality separated from one another by tens, hundreds, even thousands of light years and have no relation to each other except from the Earth's specific location and perspective. From a point a hundred light years distant from Earth, most if not all of the constellations with which we are familiar simply would not exist – the stars would be visible, but the apparent “pictures” they form would be totally different.

And I find that I've gone on way too much about a minor error in terminology.... When I start rambling so, it's time to sign off.

Cheers, and Ad Astra!

Perry Rhodan #9, Quest Through Space and Time (1971)

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By Clark Darlton (= German issue #15, 15 December 1961)

Chap. 1, “The Crypt of Light”

Perry Rhodan and his crew have been waiting for three Earth weeks for the positronic brain aboard the Stardust to decode and translate the message retrieved at the end of the last adventure. A partial solution is presented: ONCE THE PLANET ON WHICH YOU ARE NOW STAYING HAS ROTATED 21.3562 TIMES AROUND ITS POLAR AXIS, THE INSCRIPTION WILL FADE AWAY. THEREFORE HURRY IF YOU WISH TO FIND THE LIGHT (p. 17). Given the slightly longer day of Ferrol, Rhodan calculates that three days and fifteen hours (Earth time) remain – before the message and all record of it vanish. Masters of time and space as the immortals seem to be, Rhodan surmises that once the time limit is up, it will be as if the message had never existed.

Three more Earth days pass. Then, with only a few hours to spare, the brain spits out the finished translation: IF YOU KNOW SOMETHING ABOUT OUR LIGHT, YOU MUST SEEK OUT THE ONE FROM WHOM YOU OBTAINED THIS KNOWLEDGE. ONLY ONE PERSON WAS AMAZED BY THE MACHINES OF KNOWLEDGE – THIS WAS IN RECENT TIMES, JUST A FEW SECONDS AGO ACCORDING TO MY CHRONOLOGY. SEEK HIM OUT AND ASK HIM! IF YOU WANT TO FIND HIM, THEN YOU MUST COME TO THE CRYPT OF THE LIGHT, BUT DO NOT COME WITHOUT SOME INFORMATION ABOUT HIS PERSON. YOU WILL BE ASKED WHAT HIS NAME IS (pp. 23-24). Rhodan and company set out to discover the initial source of the information that brought them in search of the secret of eternal life – the Arkonide explorers ten thousand years ago whose records had led Khrest and Thora on their quest. Rhodan believes that the ancient records can be most quickly accessed at the larger positronic brain on Venus.

Chap. 2, “The Story of Kerlon”

The Stardust departs Ferrol, hyperjumps to the Solar System, and approaches Venus, dropping off Rhodan and Khrest in one of the auxiliary space spheres before proceeding under the command of Reginald Bell to Galacto-City on Earth. Col. Freyt reports to Bell that negotiations are slowly bringing Rhodan's dream of one united Earth government closer to reality. On Venus, Khrest and Rhodan view the ancient 3-D film records and learn the name of the ancient commander: Kerlon. They head to Earth to rejoin the Stardust. Meanwhile, the gigantic space sphere's cargo of Ferron trade goods have been unloaded and Terrestrial trade goods have been loaded. Three days later, the Stardust jumps back to Vega.

Chap. 3, “Battle in the Past”

In a meeting, Rhodan reveals not only his and Khrest's findings on Venus but also his own conviction that rather than a race of immortals they are dealing with only one. “Way back when the immortals landed on Ferrol they were still existing as a race. Then, for unknown reasons, they decided to emigrate from the system. At the same time some catastrophe befell them which brought about the extinction of their race, despite their immortality. Only one of them survived. He did not want to keep the secret to himself and decided to find a worthy successor. He devised the galactic riddle. Whoever could solve it would be rewarded with the secret of eternal life. He set the trail, probably later than we originally assumed. ...” (pp. 43-44).

Rhodan and a team consisting of himself, Khrest, Bell, John Marshall, Anne Sloan, Dr. Haggard, Ras Tschubai, Ralf Marten (who has been “complaining that he has to stay too much in the background” [Bell, p. 45]), and the Arkonide worker robot previously enabled with five-dimensional thought enter the Time Vault beneath the Red Palace on Ferrol. But when the time-lock field is deactivated, the matter transmitter previously there has been replaced by a chair upon a small platform. Rhodan takes a seat and, with a hum and vibration, an energy screen obscures his view of the others. He feels an alien force scanning his mind, then everything returns to normal. As the others cluster closely around him, the platform descends, carrying them downward into the floor.

They end up in a large empty chamber at the center of which a metal cube fades into view. The cube bears the writing of the immortals, which the robot (Rhodan refers to it as “Markon”) translates as “Now seek out the man whose name you know. Only he possesses what you need in order to find the way to the Light. Do you know the meaning of time?” (p. 51). The robot further identifies the cube as a “time-transformer,” in effect a time machine set to a specific destination in time. A telepathic message impinges on their consciousnesses: “I am speaking to the one who has followed my trail this far. When you arrive, be on guard; don't let yourself get killed. No one will come to your assistance; you must help yourself. And only if you find Kerlon, and with him that which will show you the way to the Light, will you be able to return to your own time. Wait for a period of three days, not more nor less. Only then will the machine bring you back again. I hope you will succeed in this task. I have been waiting for such a long time already!” (p. 53) As the message ends, the walls of the chamber transform into a rough-walled dungeon with a stout wooden door. The sounds of battle – screams, shouts, clanging of swords, an explosion – come from outside.

Cautiously opening the door, they find several dead Ferrons in armor. Rhodan dispatches Tschubai to scout the area. Teleporting outside (and having to teleport again quickly when his initial destination, the throne room of the Red Palace turns out to be open air far above the ground!), the mutant encounters a group of four Ferrons with whom he can communicate since he knows the “New Ferron” language of ten thousand years hence. They are ancestors of the Sichas (see #5b, Mutants in Action), and enlighten him as to the current conflict. They are scavenging the field for weapons and armor after the most recent of several battles in which a neighboring castle-holder is trying to seize the castle where the Red Palace will one day be built. The Sichas believe Tshubai to be friends of the “Gods of the Sun” (p. 59) – the immortals. Suddenly, Tschubai and the Sichas come under attach by a dozen soldiers. Tschubai's Arkonide ray gun, set to its lowest level of stun only, quickly knocks the attackers out. The Sichas bid him farewell as they leave for their mountain home – then are astonished to see him vanish into thin air, teleporting back to Rhodan's group.

Chap. 4, “The Gods Intervene”

Inside the castle, Lesur, the district Thort (one of many on Ferrol at this time), leads his people as they retreat further into the vaults below the castle, driven back by the latest assault. One of his soldiers comes to him with a tale of seeing “the Gods” outside the now-open door of the “holy chamber.” Lesur dashes for that chamber.

Back with Rhodan, Tschubai renders his report. The group are discussing what to do when they hear the sounds of the Thort and his men approaching. Upon seeing “the Gods,” the Ferrons prostrate themselves. Marshall reads the Thort's mind and mentally reports to Rhodan that “[h]e believes us to be Gods who've come in order to help him against the barbarians. … His name is Lesur, the Thort” (p. 68). Rhodan plays along. Upon learning the situation, that barbarians are already within the castle, he dispatches Bell with Khrest and the robot to sweep the inner chambers; Rhodan and the mutants take on the attackers outside. Particularly Sloane's telekinesis, but also Tschubai's teleportation and ray guns on wide-field electron shower mode, wreak havoc. The barbarian chieftain Gagat (flying uncontrollably thanks to Sloane) orders a panicked retreat. Meanwhile, Markon the robot proves an excellent fighter and almost single-handedly defeats another chieftain named Bogar, driving the invaders from the castle.

Chap. 5, “Time Turned Back”

Two days pass. Rhodan and his crew are honored guests of the Thort. They discover that the “first Gods” had left certain “gifts,” including cages scattered all over “the country” - but whoever enters them vanishes never to return. Except for one intrepid scientist, who two years later had finished a long trek back from the other side of the world where he had reappeared. Rhodan risks a trip through the palace matter transmitter and discovers that its destination is a temple – whose priests immediately attack him even as he activates the return mechanism. The real mystery, it turns out, is how that lone scientist had avoided the fate of all others!

“On the morning of the third day the three ships of the Arkonides touched down on Ferrol” (p. 82). Their commander, Kerlon, has followed hints and signs of a race that had discovered the secret of cellular regeneration. Vega is the first of two probable systems where they might be found – the other is a yellow sun with nine planets, one with rings. On the eighth planet of Vega Kerlon has already discovered a pyramid, under which was a chamber containing a small metallic cylinder that has so far eluded all his attempts to open it. The chamber also contained a matter transmitter, which Kerlon briefly stepped through, returning moments later to express his astonishment to his men. His search for clues leading to the immortals has now brought Kerlon to Lesur's castle.

Not knowing that the new ships' landing was also observed by Gagat's barbarians, Khrest and the robot Markon accompanied by Lesur go out to meet Kerlon. Khrest poses as an earlier Arkonide explorer. During their meeting, Gagat bursts from hiding, determined to take hostages and seize the magical spheres. Once again Sloane's telekinesis overawes the barbarians, disarming them and sending their swords dancing in the air above them. Gagat and his barbarians flee.

Chap. 6, “The Black Ghost”

Kerlon takes Khrest and Lesur into his flagship to show them something. Teleoptician Ralf Marten possesses Kerlon's senses and reports to Rhodan as Kerlon tells his tale of the pyramid, the cylinder, and the matter transmitter. Khrest is sure that the cylinder is the clue for which Rhodan searches, but Kerlon will not let him even touch it. Khrest and Lesur leave the ship, but in an almost immediate attack by the barbarians Kerlon drops the cylinder and then witnesses a dark-skinned figure appear from thin air and pluck it from the ground where it fell before vanishing once more – Ras Tschubai. Faced with the barbarians' pressing attack and the current Arkonide law against engaging in battle with primitives even in self-defense, Kerlon furiously launches for space, eventually to head for the system of the yellow sun ….

Chap. 7, “Immortality – or – Fatality?”

Rhodan and his crew have returned to the empty vaulted chamber. Even as the barbarians renew their assault on the castle and he realizes that their presence made no difference for Lesur and his people in the long term, Rhodan places the cylinder on the time-transformer. Just in time – as a blast blows in the wooden door to the chamber – the return journey to the future begins.

Only half an hour has passed for the waiting Thora when they reappear in the future. As soon as they appear, the cylinder opens to reveal another message. Unencoded, it is quickly translated by the robot brain: WHOEVER WISHES TO FIND THE WAY MAY STILL TURN BACK. BUT IF HE DECIDES TO PURSUE THE TRAIL, HE MAY REST ASSURED THAT HE WILL NO LONGER RECEIVE ANY ASSISTANCE. SOON THE UNIVERSE WILL BE SHAKEN. INVESTIGATE, BUT CONSIDER THAT THIS WORLD IS ALIEN AND GIGANTIC. (p. 110)


* * *

For some reason I always think of the title of this adventure being Quest Through Time and Space… which would be a better translation of the German original, Die Spur durch Zeit und Raum.  It just seems to me that "time and space" sounds more natural than "space and time."  Maybe it's because of the old TV series theme - "It's about time!  It's about space! ..."

This time, I know of no Gray Morrow Ace edition cover for this issue. I have the second edition, which still has the cover art by Johnny Bruck from the German original; I don't know if there ever was a third edition although some sources state that all Ace volumes eventually gained a Gray Morrow cover.  If anyone has such an image, let me know.  Anyway, a space-suit clad astronaut spies on a couple of what look like Vikings in armor (except they are wearing skirts rather than breeches, which makes them appear at first glance more Roman) fighting with sword and battle ax on the moon. Too bad the dueling warriors are not at least blue-skinned as Ferrons would be. Bruck's covers look good, with an appropriately vintage “pulpy” feel – but really tend not to be a whole lot better representative of the contents of the stories than Gray Morrow's much more science-fictiony cover paintings.

“Forry Rhodan's” editorial this issue is “A Pioneer Passes,” an obituary of John W. Campbell, died 11 July 1971, the editor of the pulp magazine Astounding Stories (later Astounding Science Fiction then Analog Science Fiction and Fact) from 1937 until his death and one of the architects of the “Golden Age of Science Fiction.”

After the main story comes an announcement of a “Contest!” - written in the first-person (with another low quality black-and-white picture) by the character known in the German original as “Gucky.” The contest is to find a new name for this character for the English translation. Color versions of the black-and-white picture were first and second prizes, which makes me surprised that I could find no recognizable image of it through Google. So here is another image that I found:


I have to admit, I think the change in this case was well-advised. “Gucky” makes me think of “Yucky!” The name that would eventually be chosen sounds much more appropriate to English readers.  But some of the name-changes don't make so much sense, including that of one of the characters in this very story. The Arkonide robot from the previous issue here suddenly gains a name. In German, it was “Robby,” a hallowed robotic name in science-fiction circles, borne most famously by the robot from the great movie Forbidden Planet (1956):


(also, phonetically at least, by the protagonist of Isaac Asimov's first robot story, “Robbie”) … but in English the poor Arkonide Robby is renamed “Markon.” “Mark One”? “M-Arkon”? Does it matter? Why change what would be an obvious nickname for a robot?

“Scientifilm World” constitutes another obituary, this time for “Klaatu,” or rather the Earthling who portrayed him in the original film, The Day the Earth Stood Still (1951), one Michael Rennie (died 10 June 1971).

Rounding out this issue is “The Perryscope” letters column and, for the first time (at least in the copy of the second edition that I have) a new Subscription Form to order six issues for $6.75 or twelve issues for $13.50.

* * *

Various notes:

Does the paradox of the message and all record of it vanishing – being completely annulled from time – extend to our heroes' memories as well? In that case they would never know that they had failed and I presume the immortals would have created some other task … huh?

Ancient Arkonides “settled on Earth, where they merged and become part of the bloodstream of humanity” (p. 26). Have we previously been told that? Similarly, toward the end of the book a similar allusion is made, at least as I read it, regarding Kerlon's expedition that is headed toward Earth: “The forefathers of those who eventually would build the Tower of Babel were about to be born” (p. 104).

Once again, emphasis is made of the potential damage to the orbits of planets when a hyperjump is made within a solar system: “The Arkonide spaceship [Rhodan's Stardust II] cut across the various orbital paths of the Vegan planets. It traveled at simple speed of light. Only several hours later it reached the depth of interstellar space, where the transition could take place. Otherwise the ensuing shock to the space-time structure might have endangered the orbits of the Vegan planets around their sun” (p. 28).

Ras Tschubai teleports into thin air, starts falling, and reteleports to the ground landing “safely.” (p. 56) It's unclear whether conservation of momentum applies, i.e. whether he reappears with the same vector and velocity as when he dematerializes. If it does, then Tschubai's situation is basically the same as that of another teleporting mutant, Nightcrawler, at the beginning of Uncanny X-Men #95 (October 1975). The X-Men had bailed from the Black Bird just as it exploded in mid-air.  When Cyclops ordered Nightcrawler to teleport to the ground while those mutants capable of flight (Banshee and Storm) save the others, Nightcrawler replied that he could not because he would appear on the ground still falling at a fatal velocity. (Bamf - SPLAT!)  I would guess that Rhodan's mutants are not bound by the same laws of physics, given how often we have seen Tschubai and Tako Kakuta jump from one ship to another in space – between ships doubtless moving at astronomically different velocities and directions.

As Rhodan and his crew are debating how to proceed once they have appeared in the distant past of Ferrol … “[t]his time it was Anne Sloane who suggested a plan, demonstrating that women, too, can think logically” (p. 66). Ah, old school 1960s sci-fi misogyny! - well, really cultural in general …. It reminds me in spirit of the inspiration for the title of one of the comic book blogs I follow, “Too Dangerous for a Girl!”  The irony of that title comes home when you find out, as that blog writer explains, that it comes from a fairly early adventure of the Legion of Super-Heroes, specifically referring to Saturn Girl - who was even then portrayed as one of the most capable female characters in all comics!

Cheers, and Ad Astra!


Special: The Perry Rhodan Movie ... Mission Stardust (1967)

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With classes over for the semester, grades turned in, and my courses for the summer all set up, I took a day off yesterday for myself. On a whim, because it had been on my mind since referring to it several posts back, I found the Perry Rhodan movie on YouTube.

Yes, it's as bad as they say. I'm not going to post a full synopsis. For one thing, I didn't take notes and a perfectly good overview is available through the Turner Classic Movies website. Here are just a few comments.

Actually, despite the obviously low budget special effects from the very beginning, and an early scene introducing a James Bond-esque master villain – complete with his purse-dog in one scene – the first half hour or so seems to follow #1(a) Enterprise Stardust fairly closely. Then suddenly Thora and Rhodan go into her bedroom so she can change into her “flight suit.” She reveals her and Khrest's mission, to revivify the declining Arkonide race by merging with a younger, more energetic people. Humans are not, of course, advanced enough for Thora's purposes … she believes. They are only Level 4 to the Arkonides' Level 9. Before long, however, Rhodan has pulled her forcefully to himself and planted a big wet kiss on her lips just before he stalks out, with the parting shot that she will find he can easily slip to a Level 3. Whereupon Thora falls back dreamily onto her bed....

And the wheels really spin off from that point forward as the story departs further and further away from what I guess originated as not just the first German issue, but the second and third as well. In the end, however, Thora and Perry Rhodan are locked in a deep embrace and obviously about to set about merging their races ….

All in all, though, I can't say this movie is much worse than many other B-movie sci-fi flicks of the era (or later), or even as an adaptation of the source material than was, say, the 1975 Doc Savage movie of that great pulp hero. I imagine that, like the latter (in which case I myself am an example) the Perry Rhodan movie, no matter how bad it was, did have the effect of introducing someone to the saga itself.

Now, for your enjoyment, here are some pictures that I found here, there, and yonder on the internet:

The Italian title
The German title

Various promos and packaging - yes, it's available in English on DVD (see the TCM link below).

Perry Rhodan

I think this is Rhodan, Thora, Flipper, Manoli, and Bull.  I could be wrong.

The actor who played Khrest, from another movie because I could find no image of him from this movie.

A couple more pics of Thora - changing into her flight suit before Rhodan, and immediately post Rhodan-kiss.

An Arkonide robot's innards, the Arkonide space sphere (the auxiliary craft looked the same only smaller), and the robot's normal appearance.
Cheers, and Ad Astra!

Perry Rhodan #10, The Ghosts of Gol (1971)

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By Kurt Mahr (= German issue #16, Friday 22 December 1961)

Chap. 1, “Spooky Phenomena”

Eight auxiliary space spheres, nicknamed “Guppies,” launch from the Stardust II to distribute themselves throughout the Vega System with space-time structural sensors scanning for disturbances. Meanwhile, Perry Rhodan has to deal yet again with the Arkonides' timidity. He gives Khrest and Thora a choice – accompany him continuing the quest for the secret of eternal life or not, but they must decide! Guppy #5, near the fifteenth planet, starts experiencing spatial oscillations that set the very hull to droning and blows out the structural sensor. They did manage to get a lock on the source, however – the fourteenth planet of Vega.

As Thora and Khrest prepare to give Rhodan their decision, the three are interrupted by the metal cartridge retrieved from the distant past of Ferrol gives off a blazing light and basically evaporates before their eyes. In quick succession, Rhodan gets the report from Commander Chaney of Guppy #5 as well as the electromagnetically sensitive mutant Tanaka Seiko's report of the message he perceived at the same time: “You shall come now. … Remember the warning! Continue your search where the disturbance occurs. … Do not come without the higher knowledge! Nobody will help you, only the mountain will pulsate for you” (pp. 20-21). Rhodan orders an almost immediate launch for planet fourteen – then remembers Khrest and Thora. Khrest laughs and says they had decided to accompany him.

Chap. 2, “Perils of Gol”

Vega 14 is a monstrous gas giant three times the diameter of Jupiter but with an enormous density, and therefore an even more monstrously enormous gravity and atmospheric pressure at its surface – 916 g's and 50,000 atmospheres under its own 12,000-mile thick atmosphere. Only the Stardust has the power to withstand the strain by means of its engines and gravity generators working in tandem to negate the terrific gravitational force, so the auxiliary ships are sent back to Ferrol. Rhodan orders surface exploration vehicles to be outfitted to withstand the grueling conditions.

Bell christens the planet “Gol,” “after an abominable ogre in some old legend” (p. 26). As the Stardust II descends into the planet's atmosphere, the first of what becomes a series of regularly recurring sixteen-second structural disturbances is detected. Seiko detects no message, however. Rhodan heads for the coordinates from which the disturbances originate, which turns out to be a twelve-mile high mountain unsuitable for landing. A more suitable landing area is about 120 miles away. Rhodan manages to set the ship down in what turns out to be a sea of thirty- to sixty-foot deep liquid methane, the same compound as the atmosphere. Actually, “[t]he gravity neutralizers together with the engines kept the Stardust in a weightless state even after the landing. The support legs had found solid ground but did not depend on it” (p. 33).

After testing a remote-controlled caterpillar-track exploration vehicle, Rhodan, Major Derringhouse, and Seiko set forth for their first survey of the utterly alien landscape, heading for the foothills beyond which is the mountain range that contains their goal. An infrared search beam provides their only “light” so deep in the thick atmosphere. But then, mysteriously, as they come to a sheer rock wall, that searchlight dies.

Chap. 3, “Glowing – Beings?”

Khrest has gotten nowhere in analyzing the continuing intermittent structural disturbances for any message that might be encoded in their modulation. Suddenly the Stardust lists to one side. Momentarily two of the gravity generators had run idle then resumed normal operation. Reginald Bell easily rights the ship, but is upset by his inability to find an explanation. A glowing shape appears in the murk outside. Khrest speculates that it is a random electrical discharge. Receiving a report of the caterpillar's dead searchlight, Bell orders a radio beacon deployed to guide Rhodan back. Making its way gingerly through the treacherous landscape, the caterpillar encounters a similarly glowing shape, whereupon Seiko is stricken by an intense roaring “sound” that only his mutant abilities can “hear,” and an intense headache. Rhodan is unable to catch up to the flitting light and finally, slowly, makes his way back to the Stardust.

Rhodan meets with his people and reveals that he roaring that Seiko perceived in conjunction with the appearance of the light was indeed hyper-radiation. He also believes that the searchlight was intentionally put out of commission. Perhaps the lights are living beings. With Khrest's help, Rhodan sets out to devise a way to convert the structural sensor in the a modulation receiver – he is still convinced the structural disturbances contain a message. His efforts pay off. Through the medium of the new device, Seiko is able to “read”: “Even though you have perceived this, you must follow the way to the mountain. Only there is the light hidden. Do not wait long. The mighty ones of [Gol] will overpower you if you hesitate too long. Do not come without the higher knowledge!” (pp. 54-55).

Chap. 4, “The Valley of the Phantoms”

Three caterpillars set out from the Stardust. Rhodan drives one, accompanied by his previous crew plus telekineticist Anne Sloane; Bell is accompanied by the young telepath/telekineticist Betty Toufry, teleoptician Ralf Marten, and Major Nyssen; and Khrest is telekineticist Tama Yokida, teleporter Ishi Matsu, and Captain Klein. Rhodan attempts to use catapulted “oxygen-bombs” (oxygen and methan are an explosive combination) to blast his way through the rock wall encountered previously, but the first such blast attracts a small light sphere which seems to absorb the second – and swells from twenty inches diameter to fifteen feet. He then resorts to disintegrator cannon to blast a hole big enough to drive through. The three caterpillars emerge into a broad smooth plain and continue on toward the mountain. The glowing ball follows them but slowly diminishes in size. At Bell's urging, they try disintegrator fire against it, only to find that it “feeds off” that as well. Seiko continues to be plagued by a headache.

Receiving a report from Thora aboard the Stardust that more glowing balls have surrounded the ship and that the intermittent failures of gravity generators are increasing, Rhodan feels pressured to reach their goal as quickly as possible. The expedition passes through a natural fissure in another rock wall, but emerge atop a sheer precipice overlooking a deep valley filled with many of the glowing forms. Derringhouse dubs it the “Valley of the Phantoms.” They manage to follow a descending ledge along the cliff face down to the valley floor. But then a report back to the Stardust goes unanswered.

Chap. 5, “Encounter with the Ghosts”

Thora had been listening to the progress of the caterpillars until the point where they entered the valley – whereupon clanging alarms shattered the calm aboard the Stardust. All gravity neutralizing screens are down and only the ship's engines are supporting them. Thora finds herself at a loss as to how to proceed, finding herself longing for Perry Rhodan's presence of mind and cursing his absence at the same time. But she rallies herself and uses Wurio Sengu's power of “seeing” through matter to determine that the glowing spheres outside the Stardust react to energy fire just like the one dogging Rhodan's expedition. As engine power begins to decline, Gol's massive gravity seeps through, subjecting the crew of the Stardust to mounting g-forces. Thora attempts to launch the ship, but the engines fail altogether. They are only saved by the resumption of the structural modulation, which seems to drive the sphere's away.

Thora reestablishes contact with Rhodan, who orders her to launch and maintain a safe altitude beyond the range of the spheres, about a thousand miles up, and to fly the Stardust to a position above the valley. Rhodan and the caterpillars proceed forward – the light of the massed spheres is sufficient for them to turn off their search beams, which removes the caterpillars' attraction at least for the time being. But as they penetrate deeper and deeper into the valley, the spheres get denser and denser and harder to avoid. Knowing they are about to be detected, Rhodan tries a diversion. All three caterpillars fire at a single point well away from their own position, and the spheres take the bait, flocking away from the caterpillars toward a much richer feast of energy. The caterpillars continue forward and ultimately leave the field of phantom lights, coming safely to the base of the mountain.

Chap. 6, “A Message from the Unknown”

The caterpillars start ascending the lower slopes. Rhodan has concluded that the lights, higher-dimensional beings though they be, are unintelligent and driven solely by instinct. Moreover, he believes he has a way to repel them. He orders Thora to descend from its hovering position and use his remodeled structural sensor as a transmitter, as well as to flood the area with infrared light so they can see. The light spheres scatter from the Stardust's broadcast as when the sixteen-second modulation had resumed. The massive space-sphere is able to land unmolested in the valley.

But Seiko now “hears” what seems to be the buzzing of a swarm of angry hornets. As a precaution, Rhodan sends Bell's and Khrest's caterpillars back to the Stardust. They are to help Thora in case of another attack, but also to build a second structural disturbance transmitter. Major Nyssen is then to bring that transmitter to Rhodan, who continues on. Bell and Khrest complete their task quickly, and Nyssen heads back out on the trail of Rhodan.

Rhodan has meanwhile reached the true base of the mountain, which turns out to be a needle-like formation soaring into the sky. Seiko perceives another message: “You are on the right way. Keep going! Are you endowed with the higher knowledge?” (p. 94) The outline of a great door can be seen on the side of the mountain. Rhodan orders Sloane, “I assume that it takes a telekinetic knack to open it. Please apply your higher knowledge” (p. 94). But at that moment a large group of the energy balls appears, bearing down on the door.

Miles away, Nyssen's caterpillar is overtaken by a storm front. Buffeting winds are accompanied by a radical drop in temperature. Formations of frozen methane solidify out of the atmosphere almost immediately and trap the caterpillar. Nyssen calls for help from the Stardust, but before that can happen both the caterpillar and the space-sphere come under renewed attack, by a new, more effective tactic. The generators are attacked directly and start to fail. The crews are subjected to rapidly mounting gravity.

At the mountain, Sloane manages to open the door and Rhodan guns the caterpillar through just ahead of the lights. They enter a large circular chamber occupied by a single apparatus – an “impulsator” like that found in the factory-like hall of #8, The Galactic Riddle, a remote hyperspace matter-transmitter. Once again, it is up to Sloane's telekinesis to activate the mechanism.

Chap. 7, “Beyond the Galaxy”

Rhodan and his companions have the impression of “ – [a]n endless time” – “no prior transition [in Rhodan's experience] had taken as long as this one” (p. 109). They reappear in the Command Center of the Stardust. Nyssen and Klein and their caterpillar have also appeared in the ship's hangar. But the ship itself has been thrown to an entirely unknown sector of space, outside the galaxy, where only a handful of stars can even be seen. Seiko alone sees a glowing ball suspended in the middle of the Command Center – “and became terribly frightened, believing at first that it was a light body” (p. 111). It is not. And he alone “hears” a message from their “unknown mentor”:

You have been warned! Now find the world where the coordinates are secured. Remember that you cannot return home if you do not know the right way. Your goal is far!


* * *

First, the requisite silly cover question: Is that Saturn Girl of the Legion of Super-Heroes?




That impression is only reinforced by the hypnotic concentric (thought?) waves radiating from the female eyes in the background of Gray Morrow's painting. And if so, is that Lightning Lad with her? … Doesn't really look like him. Just for the heck of it, I and a lot of other people had a similar “Is that Saturn Girl?” moment not too long ago when T-Mobile's new (and cute as all get-out) spokeswoman Carly Foulkes appeared in similar attire:



Again, this Ace publication initially appeared with the Johnny Bruck German cover art and the Gray Morrow art only appeared by the third edition (1974) which is what I have. I'm not sure what the second edition looked like. Bruck's painting again at least somewhat reflects some scene in the story.

This volume begins with the Editorial“From the Captain of the Stardust 4E: The Glowing Coal,” celebrating the appearance of Perry Rhodan #500: Aliens from the Void, by K. H. Scheer, earlier in 1971. At one adventure per month, Ackerman forecast that the English translation would be published sometime in the 21st century. But he held out hope for an increased frequency of publication as well as the possibility of judicious use of summaries of some issues as well as special editions of the anniversary issues years before they would normally be published. Except for a couple more adventures to be skipped altogether in the near future (like The Wasp Men Attack), which Ackerman himself apparently later repented, only the increased frequency would come about – for a time.

The aftermatter consisted of “Scientifilm World,” this time a review of First Spaceship on Venus (1962), and “The Perryscope” letters column.

Some notes and commentary:

On p. 15, Rhodan refers to the “Fable of the Fox and the Sour Grapes” when Khrest and Thora would quit the quest altogether since it seems the universe in not going to arrange itself for their convenience as Arkonides have become accustomed to. This is originally a story from the Greek fabulist Aesop; Wikipedia quotes a brief translation of the Latin version by the Roman Phaedrus:

Driven by hunger, a fox tried to reach some grapes hanging high on the vine but was unable to, although he leaped with all his strength. As he went away, the fox remarked, 'Oh, you aren't even ripe yet! I don't need any sour grapes.' People who speak disparagingly of things that they cannot attain would do well to apply this story to themselves.

I can find no reference to any legend of “an abominable ogre” named Gol to which Bell refers in naming the monstrous gas giant on p. 24. Perhaps it's a German legend?

There is an interesting exchange between Thora and Rhodan on p. 49. After Rhodan has revealed to his fellow Terrans his theory that the glowing balls of light are “higher order” beings, she cautions him:

You ought to be more careful.... You're talking to your men about beings living in a higher order of space. I'm not sure whether these people, although they are majors, are familiar enough with the concepts of hyper-geometry to know that there's no value judgment expressed by that.”

Rhodan takes her seriously: “That's a good point. I'll keep it in mind. … Still, it does state a value.... We can achieve a transition, we can modulate hyperwaves and broadcast them. But we're at a loss as to how to handle a being whose abode is in higher space. Anybody living in space of n dimensions eludes by this fact alone the grasp of those in (n-one [read “n minus one”]) dimensional space.”

Kurt Mahr really seems to have been the original cadre of authors' go-to-guy for describing treks across alien landscapes. I found a lot of echoes in the general mood of this story to #4(b), Base on Venus, which he also wrote. Just one parallel: In both stories, our heroes have a mountain as their goal, and encounter various dangers along the way.

Mahr also took time to describe the varying reactions of Rhodan's people to their situation – p. 64:

The crew aboard the carriers had mixed feelings. Tanaka Seiko was still suffering from a splitting headache because the huge sphere kept following the vehicle doggedly. Rhodan had retreated into the cold and determined toughness which was at the core of his personality in such critical situations. Reginald Bell and Major Derringhouse vied with him in his toughness but embellished it with a certain show of flippancy and a devil-may-care attitude. Khrest had not uttered a word in the last few hours. He seemed convinced that they were on a straight path to hell and so apparently was Anne Sloane, who was squatting apathetically on the floor of Rhodan's car with a vacant look and showing little interest.

Major Nyssen was a strange man. Rhodan had never known this aspect of his qualities. Nyssen, who outwardly so much resembled Reginald Bell, had developed during the last few hours a certain fanatical urge – without losing his sense of reality or overestimating the limiting circumstances of the expedition – to subdue the energy bodies which seemed to constitute the greatest danger to the Stardust….”

Mention of Anne Sloane's depression a moment ago brings to mind what might be the quotation of the issue! – “'Don't be afraid, baby!' [Rhodan] smiled when he saw how pale [Anne Sloane's] face was” (p. 78). I laughed out loud at that.

Once Rhodan's expedition penetrates the mountain, I hesitated a moment – Rhodan might have recognized the “impulsator” (p. 105), but I had no idea to what that word referred until reading further. Did I miss it previously being given that name? I comment on it because this seems to have happened before – some new fact or term being dropped in without (what I consider to be) proper introduction. Luckily, it quickly became clear in this case. But I think this must be another result of the series' “writing by committee” and the sheer rapid pace that these stories appeared. As Mahr was writing this story, had he had a chance to read Darlton's #8, The Galactic Riddle?  Perhaps something similar explains the out-of-the-blue dubbing of the auxiliary spheres as "Guppies."

My gut feeling is that the description of Gol is too fantastic to be realistic.  I mean, it's described as a "gas giant" three times the size of Jupiter, with an "enormous density" and gravity over nine hundred times that of Earth.  Jupiter itself has a density about one-quarter that of Earth, with a gravity about 2-1/2 times.  I frankly toyed with the idea of trying to see if the math worked out, but just as frankly I found it beyond me - or at least the time and effort that I'm willing to put into it.  Anyone else wants to have a go at it, be my guest.

* * *

As an addendum to my just previous post, about the Perry Rhodan movie that might or might not really exist (see the first paragraph here), I have a confession to make. Since viewing that film, bad as it was, I find it has changed my mental image of one of the major characters. Contrary to what I stated a few posts back (here), no longer is my mental image of Thora formed by Gray Morrow's cover to Ace #70 … now I see Essy Persson.


That is not at all unpleasant....

She's the only one, however. I still “see” Rhodan as in the banner above, from Morrow's cover to Ace #50. Frankly, I found most of the other main actors pretty interchangeable among themselves and even with the movie's Rhodan. Except for Khrest – but even so, I still retain as my mental image of the elderly Arkonide scientist US Representative Tom Lantos.


Imagine him with red eyes.  Even years after I was reading the Perry Rhodan series in the 1970s, when Lantos emerged on the political landscape (the 1980s? 1990s?) I immediately thought of Khrest, specifically of this image:




Cheers, and Ad Astra!

Perry Rhodan #11, The Planet of the Dying Sun (1972)

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By Kurt Mahr (= German #17, Friday 29 December 1961)

Chap. 1, “Star Stride”

The Stardust II floats in space, location unknown. Only 56 lonely stars are visible in a sea of blackness. Perry Rhodan takes a pursuit ship out for a reconnaissance flight. Fairly quickly, he loses contact with the Stardust, which shines starlike in the void behind him. Turning and racing back toward the ship, he notices an unexplained gravitational flux drawing him off course. He then realizes something that had been nagging at him – given his distance from the space-sphere, with no local sun, he should not be able to see it at all. There is no apparent source for the light reflecting off its hull. As he approaches, the communicator cuts back in and he lands safely. To the mystery of their location is added these new puzzles.

Meanwhile, Khrest has been using the positronic computer brain at the core of the Stardust to analyze their situation and the search for the world of eternal life thus far:

Is it reasonable to proceed step by step on the dangerous search for the civilization which knows the secret of cell conservation? …. The unknown civilization will share its knowledge only with those who prove by selective rules to have superior culture. (85.179% probability.) ….

What is the nature of the selective rules? …. The unknown civilization knows other selective rules besides scientific and technical topics. (100% probability.) ….

Which selective rules will we face on our search? …. All tests (selective rules) of scientific and technical nature have been concluded by the seekers. (52.112% probability.) (p. 19)

During a visionary trance in his cabin, the electromagnetically-sensitive Tanaka Seiko writes out a message in the language of the Unknown Immortal:

IF YOU, WHO DARES, ARE PATIENT AND DO NOT SUCCUMB TO TEMPTATION, WATCH FOR THE WORLD OF HIGHER ORDER. THE LIGHT IS NOT FAR AWAY. (Illegible letters, 91.998% probability for accuracy of translation.) (p. 23)

As he ponders the meaning of this, Rhodan is called to the Command Center, where suddenly the normal view of a star-strewn galaxy has reappeared. They are not in a void at all, but rather had been surrounded by some kind of cloaking field. They are near a small Mars-like planet orbiting a red dwarf star.

Chap. 2, “World of Mystery & Menace”

They land on the planet they call Vagabond. The similarities to Mars extend even to the iron-oxide redness of its sands. Soon after touchdown, strange happenings begin aboard the ship. Equipment moves of its own accord as if by telekinetic manipulation, but none of the mutants are behind it. The brainwave-pattern detecting mutant Fellmer Lloyd canvasses the entire ship but detects no alien mind at work. Another mystery.

Rhodan, Major Derringhouse, and Lieutenant Tanner set off with five-man crews each in three aero-cars to scout the local terrain. Rhodan feels drawn to the low hills about fifty miles from their landing site. But the aero-cars are also bedeviled by strange happenings. At the end of the 21-hour Vagabond day, they pitch camps. Soon after, they observe a group of strange animals nearby, feeding off the sparse vegetation. Their appearance, that of three-foot mice with the tails of beavers, immediately gives rise to the term, “mouse-beavers.” Lloyd detects no intelligence among them. Back in his tent, Rhodan realizes that his portable telecom is missing. He has just left his tent to alert the guard to the apparent intrusion when his tent explodes behind him! A large crater gapes where his tent had stood, but no men are injured. Subsequent investigation indicates it was a simple gunpowder blast. There are found also mysterious knobby tracks leading away from the camp. Rhodan and Derringhouse follow the tracks to where they suddenly end, near where they recover Rhodan's telecom discarded to the side.

Chap. 3, “The Danger Deepens”

Believing that the hills hold the clues they are seeking, Rhodan moves the camp to the center of the hilly area. From that base they start a systematic survey. Rhodan and Derringhouse head south. Their grav-meter detects a weak, variable gravitational source which they investigate. They find a small, glittering sphere floating in the hills - “'Damn it! Do we have light bodies here, too?' Derringhouse cussed” (p. 51). Suddenly their aero-car starts spinning like a top, throwing the two men about inside before it comes to rest nose-down on end in the sand. The assault ended, they set about righting the 'car, a process that almost ends in disaster when some force almost topples it onto Derringhouse. As they race away from the area, Rhodan ponders the occurrence. He believes they were seized by a rotating gravitational field rather than a telekinetic force.

Back at the camp, they discover that Lloyd has absconded with one of the other aero-cars. Following the mutant's flight path, they find his wrecked vehicle a half hour away. Near it is the dead body of a mouse-beaver. But there is no sign of Lloyd himself, other than tracks disappearing up a nearby hill. Backtracking the mouse-beaver's trail from the point it had been killed, Derringhouse finds a “mouse-hole” - then glimpses a half-buried smashed sphere like had attacked himself and Rhodan. Thee is another trail of round impressions leading away for some distance, only to end just as the other trail they had found.

Searchers find Lloyd after another hour, unharmed but exhausted. Back at camp, he is put to bed. Rhodan converses with Bell aboard the Stardust, who reports than more strange occurrences have taken place. Pondering the events as he waits for Lloyd to recover enough to be interrogated, Rhodan realizes that the alien adversary is slowly getting more skilled in its telekinetic manipulations, learning by trial and error. But some things do not add up. Why the simple gunpowder explosive where there is such proficiency in telekinesis?

When Lloyd comes to, Rhodan meets with him in a storage tent doubling as an infirmary. They have barely begun conversing when Rhodan notices something strange about Lloyd. He reacts quickly and barely avoids being shot by the mutant, being forced to kill him in self-defense. The medic's examination of the body quickly establishes that this is not Lloyd at all, but rather an android duplicate, with only one detail wrong. Rhodan had spotted the absence of a small bald-spot on the back of the head and thus survived the assassination attempt.

Chap. 4, “The Mad Bomb”

Against all their expectations, Lloyd himself (complete with bald-spot) staggers into the camp the next morning. As soon as possible, Rhodan interrogates him. The mutant relates how his aero-car had failed and crashed near the already-dead mouse-beaver, just in time to witness the sphere hovering closely over it to be grabbed by some force that smashed it to the ground. He had fled on foot but something knocked him out from behind. He came to in an underground machine hall. After a time lying helpless on a type of examination table, he witnessed a number of weird, short, multi-armed bipedal robots working all around him. He ultimately managed to escape, find his way to the surface, and back to the camp. He reports two distinct, almost contradictory brainwave-pattern: “[o]ne indicating a fantastic, almost ridiculous urge to play and another revealing such a deep hatred that it makes my had hurt. Hatred against the enemy, hatred against the intruder and hatred against everything that doesn't belong here” (p. 70).

Rhodan summons reinforcements and heads out to find an invade the machine hall. They know they're getting close when some force seizes the lead cars and starts them spinning although they manage to land safely. The men continue afoot toward the hill under which Lloyd is convinced he had been examined. A single gunpowder grenade lands among them, but no one is hurt thanks to their Arkonide combat suits' force fields. Then some force seizes two men and carries them off through the air, ultimately to fall to their deaths some distance away. All the while, Lloyd detects the profound hatred. Suddenly an earthquake strikes. Rhodan seizes the opportunity to dash toward the hill where Lloyd manages to locate the entrance and lead them into the hall as he had described it. But it now appears to be deserted. He can no longer feel the hostile brainwaves. They find fifteen of the stumpy robots collapsed before a damaged apparatus that reminds Rhodan of a cyclotron. Taking the dead robots for study aboard the Stardust, they exit the hall – to find the sun in the wrong part of the sky altogether.

The Stardust's monitors reveal that a convulsion in Vagabond's dwarf-star sun had triggered a shift in the planets very axis, with the resultant earthquake. A similar gravitic shock wave doubtless explained at least the shifting gravity field Rhodan had encountered during his reconnaissance flight.

Rhodan ponders how to proceed as his technicians analyze the robots. Then a dangerous situation develops as an “Arkon Bomb,” the most devastating weapon in existance, able to wipe out a planet, breaks free of its rack and floats through the ship toward an airlock and outside. Rhodan and the mutants Tama Yokida and Tako Kakuta barely manage to intercept and gain control of it, returning it safely to the arsenal. Against the vociferous objections of Khrest and Thora, Rhodan outfits a larger expedition of ten aero-cars loaded with various equipment and weapons. To Bell's inquiry as to what his plan is, Rhodan replied, “We're going to play a little game with the strangers but this time we're going to choose the time and place, where it isn't so hazardous for us” (p. 89).

Chap. 5, “Rhodan's Revelation”

They set up the various equipment, all of which are complicated in their use and should occupy the alien mind for a while, near the camp. Rhodan means “to offer him some entertainment close to home in the hope that he [will] be distracted from the Stardust. If he [can] be lured to play with the gadgets displayed, they might – with luck – be able to capture him” (p. 91). Meanwhile, analysis of Rhodan's telecom reveals that it had been stolen by one of the robots, not an organic being as he had expected. C14 dating has also shown that the robots are tens of thousands of years old. In the night, Lloyd detects the hate-filled brainwaves approaching. Five spheres attack. When psycho-beamers prove useless, disintegrators make short work of them – and as the spheres are picked off Lloyd feels the hatred progressively diminishing. Then, when morning comes, Lloyd feels the playful mental emissions just as the “toys” Rhodan had left start behaving in typically mysterious fashion. One of the sentries detects a mouse-beaver digging up from below the ground in the midst of the equipment. It emerges to examine the various pieces. Then a small refrigeration unit starts to float, apparently at the direction of the animal, which follows it back down the hole. Rhodan and a force of his men follow into an underground tunnel.

Soon after, Bell contacts Tanner who had remained at the camp:

The technicians have disassembled and examined the robots. Although their bodies are mechanical structures, their brains are of organic growth with infinitely lasting life. The mental processes of the robots are, therefore, on a par with other organic beings.

By any comparison they excel in a complicated memory bank. We have so far succeeded in deciphering two items.

First: robots received orders to attack immediately any alien invading this world and to annihilate same by any and all means.

Second: there exists a total of twenty robots on this world. The last data about organically grown beings go back forty thousand Vagabond years, corresponding to thirty-five thousand Terrestrial years” (p. 99).

Tanner passes this on to Rhodan, who is not at all surprised.

Over the course of several hours, Rhodan and his men crawl several miles underground, eventually emerging in a cavern at the center of which is suspended a brightly shining disc. It is a model of the Milky Way Galaxy, which Rhodan's men record before it dissolves. The cavern is shrouded in darkness, but now a number of exits upward can be seen, visible through which is the dim light of the stars in Vagabond's night sky. Examination of the cavern itself reveals it to be the lair of a band of mouse-beavers which are currently outside feeding. Rhodan and his men climb out of the cavern, which they find to lie under one of the many broad, low hills that dot this area of Vagabond.

Back aboard the Stardust, Rhodan sums up their findings. Their challenge here on Vagabond had been to determine that there were indeed two intelligences, and which of them held the key to their continuing the quest. Rather than a single intelligence with conflicting emotions, there was the hostile, hate-filled robots with organic brains, left by a dying race to guard the remains of their civilization. The spheres were some kind of transportation for them, but they could themselves both walk (hence the knobby tracks) and fly a short distance (hence the disappearance of the tracks). And there was the mouse-beavers – which exhibit only intermittent intelligence that appeared only during the hours of daylight, along with parapsychological, telekinetic abilities. The fifteen “dead” robots are simply powerless due to the destruction of their power generator during the earthquake. The remaining five must have been powered by a separate source. They were as willing to use “simple” technology such as gunpowder as well as more complex robotic impersonation to try to accomplish their destructive imperative. Second, study of the three-dimensional galactic map found in the mouse-beaver cavern has revealed not only their own location, a “mere” 2,400 light-years from Sol and Vega, but also the location of what Rhodan believes to be the World of Eternal Life.

Ten days later, the Stardust launches to continue its quest, first heading toward Vega to report in. As they leave, Rhodan is still puzzled by two mysteries going back to his reconnaissance flight: What caused his telecom to fail? Why could he not see the sun of Vagabond directly but could clearly perceive its light reflected off the hull of the Stardust?


* * *

As far as I've been able to find, there was never a Gray Morrow cover for the American edition. I am in possession of the second printing (1974) which retains Johnny Bruck's art from the German original. If someone knows otherwise, please let me know. All of the alien landscapes so far, I believe, look more like the moon than anything else, don't they?

On the contents page, a mysterious title “Rohan - ?!” appears in the place the Preface should have been listed. I have no idea what that's all about.  Maybe somebody had been reading The Lord of the Rings....

The Preface “From the Captain of the Stardust 4E” is really entitled “Stardust Meloday” … Forrest J Ackerman then has to explain his own neologism/pun: “A 'meloday' is a good day, a mellow one” (p. 7). Even were that somewhat clever, having to explain your own wit is never a good sign. As far as substance goes, the preface is basically a report of the grateful letters received since Rhodan and his pals have returned, focusing on one from as far away as Buenos Aires, by one Hector Pessina.

The column “Scientifilm World” promotes a new film that Ackerman has seen that will be released soon – Silent Running (1972). I've only ever seen this once that I recall, on television sometime in the early to mid 1970s. I recall not liking it at all, but I might have been too young to appreciate it.

The Perryscope” proclaims that “The mailman on Spaceborn Drive just quit” (p. 121) after tipping the scales to over a hundred pounds a day of fan mail by adding his own letter to the pile. Ackerman proposed as a solution to provide the hapless mailman with an antigravity belt. Then follows a sampling of the mail, including one missive that castigates the Ackermans – Forrest J for his bad puns as well as the general adolescent (the letter-writer's term) tone of the books, and Wendayne for a bad translation job and writing style. Not unpredictably, Ackerman devoted a great deal of space – about a page and a half – to refuting the criticisms. He concentrates on justifying his wife's credentials, but I get the feeling that it was the criticism of the general tone that really struck a nerve. In my opinion, that is indeed the more valid aspect of the criticisms, which are not (if what Ackerman printed is representative) put forward in the most diplomatic terms. I don't find the writing itself that bad – in general. It must be remembered that this is based on German pulp fiction – written quickly, considered disposable. But although I will always be grateful to Forrest J Ackerman as the driving force in giving me and so many others the opportunity to at least taste the greatness that is Perry Rhodan (witness my dedication at the top of this page), believe you me that the puns and childishness do get a bit tiresome. It's easy to understand why many readers never could get past them and thus dismissed the series out of hand. And in fact – and here there is of course no way for me to know for sure – I suspect that some of the worse aspects of the writing itself are owed to FJA himself more so than to his wife. I don't think I'm alone in that assessment.

* * *

Here we see introduced the “Arkon Bomb!” “Weapons which had the capacity to cause an unextinguishable atomic conflagration of all elements above the atomic number 10 and of any other chosen element by setting the trigger of the bomb for the specific selection.” I get that they were wanting to ratchet up the sense of threat when one is seized by the mysterious force (wow! They felt the need to?), but doesn't "all elements above the atomic number 10" make the very next paragraph redundant? - “The bomb triggers in arsenal Deck E were set for 26. Atomic number 26 – iron. There was more iron present in the Stardust than in a steel mill! The ship was doomed if the bomb exploded!” (pp. 82-83) Anyway, I well remember this horrific weapon of mass destruction, the image of unstoppable atomic fire devouring a planet. It's one of the things that stuck with me from my original reading. If I recall correctly, Rhodan and company made pretty free use of them.... But about that name: “Arkon Bomb”? It has to be a Terran term. I mean, if it had been developed by humans would we have called it an “Earth Bomb”? Or maybe the Arkonides were that arrogant.

I think the interior artist, one Sandy Huffaker (perhaps this Sandy Huffaker, early in what would be a distinguished career as a political cartoonist? http://www.huffakerart.com/ [note:  an email exchange has confirmed that this is indeed the artist - 26 May 2011 - isn't the internet great!]) took the prose description of the stumpy robots a bit too literally. From the second, slightly better, descripion: “They consisted mainly of a bulky midsection in the form of an ellipsoid and were made of a gray metallic substance. Below the ellipsoid extended two short stumps of legs without feet. The upper end had a rotating ring with short arms. The contraption was about twenty inches high, standing up...” (p. 78).


(p. 69)
Really?

Do we ever get a good explanation for what compelled Fellmer Lloyd to commandeer the aero-car and strike out on his own? All I know of is the “Lloyd-bot's” testimony that he felt he could accomplish his task of finding the alien intelligence better by getting away on his own. When the real Lloyd starts telling his story, he starts with his aero-car experiencing trouble and going down.


Next up:  The Rebels of Tuglan by Clark Darlton.

Cheers, and Ad Astra!

Perry Rhodan #12, The Rebels of Tuglan (1972)

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By Clark Darlton (= German issue #18, Friday 5 January 1962)

Chap. 1, “Of Rebels...”

On the planet Vagabond, a mousebeaver whose mutant intelligence outstrips that of its fellows and does not fade at night stows away on the Stardust II just before lift-off – and begins to “play” just as the ship begins its transition toward Vega.

Thousands of light-years away, the planet Tuglan, eleventh of the blue-giant star Laton, has been an outlying colony of the Arkonide Imperium for six millennia, though visited but seldom. Unbenownst to either race, the reddish-blue-skinned, violet-haired Tuglanians are descended from Arkonide explorers of six thousand years before that. The ruling Lord Alban of Tuglan plots to overthrow the resident Arkonide High Commissioner Rathon, who is typically degenerate and ill with leukemia. Alban is opposed by his brother Daros, who goes so far as to attempt to warn Rathon. His warnings appear to fall on deaf ears, but Rathon does covertly entrust a loyal Tuglanian with an investigative mission.

Chap. 2, “... and Robots”

One night, two Tuglanians are killed while sabotaging the sole Arkonide hyperwave broadcast installation on the outskirts of the capital city, Tugla, but not before they put it out of operation. Before the station goes down, however, the robots who tend it detect a brief hail from an Arkonide battleship that has just appeared in the system. Rathon reports these events to Alban, who sees his plans for Tuglanian independence crashing down around him.

Chap. 3, “The 'Impossible' Stowaway”

Aboard the Stardust II, Perry Rhodan immediately perceives that the transition to Vega has gone wrong. He eliminates the possibility that the telekinetic mutants had shifted the controls. Khrest recognizes the star near which they have appeared as Laton, 36,000 light-years from Vega. The galley reports a stowaway – when Rhodan and Reginald Bell arrive they find the mousebeaver calmly munching away on frozen fruit. When Bell angrily grabs it by the scruff of its neck, he is sent floating to the ceiling and dumped in an unused kettle of water, to the great amusement of his companions. Rhodan dispatches the dripping and discomfited Bell to change and retrieve the telepath John Marshall. Despite himself, Rhodan has already conceived an affection for the “beast” and even thinks of it as “he” rather than “it.” Marshall quickly establishes that this mousebeaver is quite intelligent, with “the makings of an excellent esper” (p. 49). Communication established, Rhodan forbids the mousebeaver, dubbed “Emby,” from further “play” aboard his ship. Nevertheless, within a short time, through a misunderstanding, Emby activates the hyperwave transmitter and gives away the Stardust's presence in the system. Rhodan decides to disguise the humans as Arkonides by means of makeup, white hair dye, and red contact lenses, and to approach Tuglan purporting to be an imperial inspection team.

Chap. 4, “Treachery on Tuglan”

Alban believes that the Arkonide ship is coming to investigate rumors of a revolution. He brazenly outlines his plan to Daros – that he intends to pin the sabotage and rebellion on his brother. Daros realizes that he has no proof against his brother's perfidy.

Entering orbit around Tuglan, Rhodan establishes contact with Alban – and goes along with the Tuglanian's misperception. To enable a telepath to accompany him in dealing with the Tuglanians, he has Marshall hypnotrained in Pankosmo, the galactic lingua franca. Emby is also hypnotrained to allow him to communicate with the humans: “'Teska vyt, jenmen.' And in English [the mousebeaver] translated: 'Good evening, gentlemen. I've also mastered the provincial language'” (p. 60). The Stardust lands at the spaceport outside Tugla.

Chap. 5, “Plots & Counterplots”

Rathon shows the “Arkonides” the destroyed hyperwave installation and reports the conflicting claims of Alban and Daros, as well as his own undercover operative – but when they establish a link to monitor Alban's agent in the palace, they remotely witness his death.

Daros leaves the palace unopposed but realizes that he is under surveillance. Then he finds himself being hailed by a mob of citizens - “Daros! Long live Lord Daros and the freedom of Tuglan! … Down with Lord Alban and his friends the Arkonides! Long live our liberator Daros!” (p. 68). Daros is both bewildered and horrified by this.

Rhodan meets with Alban, who professes disbelief at any notion that his brother could be the perpetrator of a plot against the Arkonides – and Daros plays right into his hands by barging in and accusing Alban publicly. Alban plays a recording of the citizens hailing Daros, and admits that he had been covering for him. Rhodan arrests Daros in the name of Arkon – then as they proceed back to the spaceport they are ambushed by a group of Tuglanians who purport to be freeing Daros. Rhodan and Bell do not resist and are taken prisoner; Rhodan perceives that Daros is as mystified by these developments as are himself and Bell, and he begins to suspect that this is all a show for the Arkonides' benefit. As he predicts, Bell is shortly taken from their place of captivity on a winding trip through the streets of the city – only to be “rescued” by agents of Alban. “[H]ow else will the Arkonides find out that Daros was liberated by his political friends?” Rhodan had predicted (p. 77). In meeting with Alban, Bell himself becomes sure that Alban is the real mastermind of the whole affair. He returns to the Stardust, determined to bring in Marshall to clarify things. He also realizes that Emby is no longer aboard the space sphere.

Chap. 6, “The Mind Reader's Revelation”

“Several things happened simultaneously.” Khrest and Rathon take Marshall to the palace and request audience with Alban. Bell and the “seer” Wuriu Sengu search the city for Rhodan to no avail. Rhodan is transferred to a cell elsewhere in the city from where he had been held. Unbenownst to him, Daros is moved nearby. “Only the fifth event had not been planned for” (p. 83). Emby has left the Stardust to “play” in the streets of Tugla – where he wreaks the predictable havoc. When he is accosted by one of Alban's police, he kills him, whereupon the rebels believe he must be on their side and join up with him, taking him to the rebel leader Karolan. The mousebeaver learns of his new friend Rhodan's plight.

Bell abandons the futile search for Rhodan, but is refused entrance to the palace supposedly on the orders of Khrest. Bell is immediately suspicious. In the meeting between Khrest, Rathon, and Alban, Marshall had quickly perceived the truth. But contrary to the Khrest's expectation the Tuglanian does not submit to the Arkonides' authority when confronted with the truth. He rather has Khrest, Rathon, and Marshall seized and imprisoned with Rhodan – beneath the palace.

Chap. 7, “The Floating Bomb”

Sengu locates Rhodan and the others, including one Bell presumes must be Daros in an adjacent cell. Bell and Sengu escape from the palace back to the Stardust. Bell selects several mutants, including Fellmer Lloyd, to accompany himself and Sengu in an armored tank while Major Derringhouse launches with a force of space-fighters. Unexpectedly, as they approach the palace, the Tuglanian people cheer them on: Lloyd feels their mood and reports, “[T]hey see us as allies. Their preponderant mood is one of hatred and fury,k but not toward us. They're filled with rebellious emotions. All are thinking of Lord Alban, spitefully and maliciously. They want to storm the palace and they believe we've come to help them.” Bell concludes, “The Tuglanians want to restore order. Our coming inspired them with the necessary courage. … They seem, therefore, to have always known that it was Alban and not Daros who wanted to rid them of the Arkonide empire” (p. 104). Sengu searches for the location of Alban.

Meanwile, Karolan, along with Emby, also approaches the palace. The Tuglanian has the mousebeaver telekinetically float a bomb across the gate where it blows a yawning gap though which the rebels pour. Emby sets out in search of Rhodan.

Chap. 8, “The Death of...”

In desperation, Alban announces over loudspeaker that unless the Arkonide attackers back off he will kill Rhodan and Khrest, and heads for the cells to make good his threat. Sengu guides Bell as he races toward that location. Alban arrives first. Rhodan stalls for time as Marshall detects Emby also approaching – then is rewarded when the mousebeaver unleashes his telekinetic force on the Tuglanian. He raises Alban's gun, carrying the Lord of Tuglan with it to the ceiling from which he falls. Although it is not a great height, the way he hits is instantly fatal. When Bell shows up, he is discomfited that that “damned Mickey Mouse” beat him to the rescue (p. 113). They free Daros and install him as the new Lord of Tuglan.

The Stardust leaves Tuglan and heads out toward its interrupted hyperspatial transition to Vega. Rhodan and his companions ponder whether these events might have indeed been another part of the Galactic Riddle. As reward for his part in the resolution of the abortive Tuglanian rebellion – and saving Rhodan – Emby is made a member of Rhodan's crew. He also gains a new name, “Pucky,” bestowed upon him by “a young crewman from Independence, Missouri …. 'Shades of Shakespeare,' Phillip Callen began, 'If Emby doesn't have the personality of Puck! … Puck – from Midsummer Night's Dream. … Pucky!'” “[A] name destined to become famous throughout far expanses of the space-time continuum” (pp. 117-118).


* * *

Once again I know of no Gray Morrow cover for the American edition. I am in possession of the second printing which is the same cover as above, from the German issue … #19. Oops. It seems that in the American publication the Johnny Bruck covers for this story and the next were transposed. Which is a pity, considering that these two covers seem each to have been a bit more appropriate to their subject matter than usual. Had the correct covers been used, we could have also had an illustration of an Arkonide tank, complete with the “spiral-shaped barrel of its pulse-ray cannon” (p. 103). And next issue could have had the more iconic image of Perry Rhodan, I presume finally in the presence of The Immortal Unknown. I do notice we have a somewhat accurate-looking image of an Arkonide space sphere, complete with the equatorial bulge or ring, on the present cover.

Remaining on art for a second – sans Gray Morrow cover, this issue nonetheless had Gray Morrow interior art. Here are the illustrations:

page 15
page 36
page 45
page 81
page 116
Unfortunately, it's not Morrow's best work, in my humble opinion not of the same quality as his cover paintings. And most of the images are not readily identifiable as particular characters or objects. Even the one woman, appearing twice, who must be Thora, doesn't look like what I take to be Thora on his various painted covers. 

Original painting for Ace Perry Rhodan #70

 What other woman is there besides a couple of the mutants?

The dedication of the American edition was to the memory of “E. Everett Evans, Galactic Roamer” (p. [4]). Here's the Wikipedia entry, short enough just to quote in full: “Edward Everett Evans (1893-1958) was an Americanscience fictionauthorand fan. His works included the novels Man of Many Minds(1953), The Planet Mappers (1955), Alien Minds(1955), and the posthumously-published collaboration with E. E. "Doc" SmithMasters of Space (1976); and the collection Food for Demons (1971). A free eBook version of Man of Many Minds is available.”

The editorial “From the Captain of the Stardust 4E: Sci-Fi Knowledge Comes to College” notes the change from forty years previous when science fiction was “academically put down” to ca. 1970 when “courses are eagerly taken up in high schools, sought and taught in colleges across the country” (p. 7).

Note: According to Mark Golden's synopsis of this German issue linked above, this was not the original editorial for the American edition. There was a “lost” editorial which announced the winner of the #9, Quest Through Time and Space's “Rename Gucky” contest. Consequently the winner was never formally announced, although Golden reports that Forrest J Ackerman was said to have later mentioned the name of the winner as one Phillip Callen, presumably of Independence, Missouri, who thus found himself immortalized as a “Spaceman First Class” member of Rhodan's crew in this issue.

Golden also notes that the final scene in which “Emby” is renamed “Pucky” is itself written by Ackerman. In the German original, according to the German synopsis at the Perrypedia website, pretty much immediately after discovering the mousebeaver aboard his ship “Rhodan gibt ihm aufgrund seiner treuherzig blickenden Augen den Namen 'Gucky',” which a little massaging of the Google Chrome web-page translator seems to render as“Rhodan gives him the name 'Gucky' because of his ingenuous-looking eyes.” According to http://dictionary.reverso.net/german-english/Guck, Gucker can mean “eyes.” Perhaps someone more knowledgeable in German than myself can explain...? (After using the name “Emby” throughout the book, in the final scene Ackerman felt it necessary to explain that word's derivation. Do I really need to? Hint – it's typically Forry.)  I have wondered from time to time why the Ackermans didn't just rename Gucky as "Mickey," after Mickey Mouse.  Bell refers to him as such at one point (possibly added in translation? I don't know).  Maybe it was that a one-time use of The Mouse's name might fly as a cultural allusion, legally speaking, but formally renaming a continuing character with that name would not.  Even ca. 1970, nobody messed with The Mouse.

Scientifilm World” celebrates “one of those rarities, the outstanding picture of a believable tomorrow or the decade after or the century after” - Stanley Kubrick's A Clockwork Orange (1971). “Unfortunately for a number of you readers, you'll have to wait till sometime between 1975 & 1980, depending on your present age, because this is an 'X' film and not for nadsats under 18. (Nadsat is one of the many strange made-up words in the picture and means teenage ...)” (p. 121).

And of course there was “The Perryscope” letters column.

* * *

And so the German Perry Rhodan series entered its second calendar year of publication. I don't have a whole lot of story commentary this time.

Only Rhodan and Khrest are in the Stardust's Command Center during the transition at the beginning of the story. This is contrary to my own conception of a typically “busy” starship bridge, formed of course by Star Trek, which I must now envision more like sparse, even low-budget sci-fi sets – even (horror) Mission Stardust.

I was struck by Rhodan's slowness in reading the situation on Tuglan. He seems to have a preconceived notion that the people under Arkonide rule must long for freedom and that the rulers are Arkonide puppets. In this case, not so. The ruler is himself the rebel while the “rebels” turn out to be loyal to Arkon. I'm not sure if this is followed up in other instances in the series. But one reason I found this story a bit difficult to summarize was that, as the fifth chapter is entitled, “plots and counterplots” abound. Lord Alban plots against the Arkonides but ultimately framing the rebels; the rebels are in reality plotting against Alban; Daros is kind of caught in the middle.

If telepath John Marshall was hypnotrained to allow him to accompany Rhodan in dealings with the Tuglanians, why is he not there in their meetings from the beginning? Rhodan would then have seen through the plots from the beginning … and we would have had a much shorter story! That's the problem with too powerful characters – the author has to contrive ways to keep them from solving problems too quickly, or just ignore them until it's narratively convenient to bring them in.

Here's the description of the Arkonide robots manning the hyperwave station on Tuglan: “The three robots represented a top product of Arkonide electronics. They were equipped with mechanically working memory storage banks and were powered by a never-failing atomic battery. Their external appearance was that of a typical Arkonide, except for their metallic skin which gave away that they were nothing but machines” (p. 25). Typically, however, robots are depicted as more “robotic” on various cover illustrations, both German and American:





I'm not sure what “mechanically working memory storage banks” are, but apparently not the same as the positronic brain such as at the core of the Stardust as well as, at least I presumed, the robot “Markon” in #9, Quest Through Time and Space.

On p. 57, Pankosmo is identified as “the Esperanto of [the Arkonide] empire.” Forrest J Ackerman was a great proponent of the artificial language Esperanto; at least at one time, there existed “Ackerman's personal page about Esperanto” (per the Wikipedia article on FJA, note 7, which gives a link that on the date of this blog entry is currently dead). On a whim, considering that there is something of a tradition of using Esperanto when one wants to represent a foreign language without going to the trouble of developing a consistent foreign language (Wikipedia, “Esperanto in Popular Culture”), I tried translating the short sample we are given here. It's not Esperanto, however. I do like how Emby/Pucky refers to English as “the provincial language”!

Tuglanian “cars” are interesting, described as having “two wheels and a gravity gyroscope” (p. 64). Sounds kind of like a scaled-up Segway/GM PUMA:


That looks like fun!  Cheers and Ad Astra!

(Okay, I thought I didn't have a lot of commentary this time....)


* * *


Sentimental note:  This was one of my original copies of a Perry Rhodan book, purchased way back in the 1970s.  (Remember, I have been filling in the gaps of my collection via online booksellers.)  I found a reminder of days-gone-by in it.  When I was a teenager, I worked part-time for my father's business, Hare Engraving Company, making "rubber plates" that were used in printing newspapers and book covers.  My job, besides making pickups and deliveries to our major client, was taking the zinc plates etched by my father (based on a photographic art design via sulfuric acid etching), making a bakelite mold from that zinc plate, then making a rubber plate that was a duplicate of the zinc plate.  The rubber came in big rolls, about a tenth of an inch thick, and was backed by a red or green sheet of thin plastic - which was basically discarded.  Except that it made a perfect bookmark.  I had many of those bookmarks, cut typically to about 1" by 6", and I still occasionally find them in old books.  They always take me back to those days....

Perry Rhodan #13, The Immortal Unknown (1972)

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By K. H. Scheer (= German issue #19, “The Immortal,” Friday 12 January 1962)

Chap. 1, “Stardust to … Star Dust?”

Perry Rhodan and his crew finally jump back into the Vega system after their diversion to Tuglan, only to find that the great star is mysteriously in the process of going nova eons before its time! Khrest considers that this is the last riddle of the Unknown – threatening to destroy the entire system, rendering his world impossible to locate with the directions that Rhodan has found. Time is of the essence. Rhodan makes a short intra-system transition toward the eighth planet, Ferrol.

Chap. 2, “Operation: Desperation”

The eight auxiliary space-spheres or “Guppies,” left behind by the Stardust II when it departed for Gol, but greater by far than anything the Ferrons have, have been doing their best to evacuate the Ferrons to the outer planets – knowing full well that if the star does go nova none will survive anyway. Rhodan orders them to meet the Stardust at the Thorta space-port where he will meet with the ruler. Given the futility of any attempt to evacuate five billion Ferrons in the time left, Rhodan proposes to find the Unknown who can normalize the star. The Stardust launches ….

Chap. 3, “Rhodan's Destiny”

The Unknown's planet is located in deep space, well away from any star, therefore is effectively invisible. Because the directions to it are precisely based on the position of the star Vega, to minimize transition offset Rhodan takes the Stardust as close as possible to the raging and expanding inferno before initiating the hyperspace transition right on the verge of the great ship's screens failing. He then risks an extreme braking maneuver at the point of emergence so as not to overshoot the unseen target beyond even the reach of sensitive Arkonide detectors.

Chap. 4, “Danger in Deep Space”

Their initial scans of local space detect nothing. Reginald Bell theorizes that perhaps the Unknown is continuing to toy with them by blocking their sensors. To confirm they are working properly, Rhodan orders Major Nyssen out in a fighter. After several minutes, plenty of time for the Stardust to have detected him, Nyssen finds himself out of contact – he can hear the ship hailing him but they cannot hear his replies.

Chap. 5, “'You're Out of Your Mind'”

Nyssen's departure from the space-sphere had triggered a sequence of jarring shocks and vibrations with no discernable cause. Adjusting the gravitational field compensates for them and steadies the ship. Rhodan concludes that they are very near the planet, saying to the air, “Hi old friend.” The Stardust never actually lost track of Nyssen, and when he backtracks his course they are able to take remote control of his fighter and bring it back aboard, albeit very roughly. In different ways, the mutants Son Okura and Tanaka Seiko can detect the energy buffeting the ship – Okura “seeing” it, Seiko being mentally overwhelmed by it. An offhand remark by Bell inspires Rhodan with the perception that the Unknown (increasingly referred to as “he”) is using the Stardust's own gravitational field to repel it.

Chap. 6, “World of the Unknown”

But they are not out of the woods yet. With the gravitational field shut down and therefore the repulsion field not acting on the ship, it is accelerating headlong toward an unseen obstacle. When Rhodan attempts to shut down the engines, he finds the controls locked. Only Pucky's telekinesis, supported by Betty Toufry, manages to stop them. Eventually, the ship does come to a sudden rest – halfway through a great dome over an enormous disk-shaped platform floating in space, containing a myriad of different landscapes and monumental architectures.

Chap. 7, “The Monster from Nowhere”

The Stardust passes through the energy dome and descends to a point about five miles above the surface. Via a telecom briefing to his crew, Rhodan describes the planet “Wanderer” as “a gigantic and completely self-sufficient space station” (p. 80), about five thousand miles in diameter, 350 miles thick, with artificial gravity generated to 0.9 G, and a breathable atmosphere held in by the energy dome. It once orbited Vega, ten thousand years ago. “The is the place whose inhabitants know the secret of biological cell conservation according to ancient traditions” (p. 82). The Arkonide space-sphere begins to travel across the sky of Wanderer. They record and map everything. They pass across various terrains, seas and mountains; they observe the flora and fauna of many worlds all collected together. The mutants seem to detect a multitude of telepathic “voices” as faint, meaningless “whispering.” Suddenly a gelatinous tentacled monster appears without warning in the control center's sensor bay, flailing around at all. Between Pucky and Betty Toufry's telekinesis and Derringhouse's, Rhodan's, and Bell's blasters, they defeat and disintegrate it – but not before one of the radar techs is bitten by its beaklike mouth, which is apparently poisonous. He is rushed to the sickbay, but the doctors are at a loss how to treat him.

Chap. 8, “Inter-Century Shoot-Out”

The Stardust encounters a city with alien beings who take no notice of the space-sphere. Then they come across an even more amazing sight – what seems to be a reenactment of a battle between American Indians and the United States Cavalry, Custer's Last Stand. Unable to resist, Rhodan lands – and one of the cavalry makes to attack them! “A sudden blast from Bell … made the apparition vanish” (p. 92) – but quickly afterward a crewman discovers an actual 1867 Colt Peace-Maker revolver lying in the tall grass. Rhodan ponders this and concludes that it is another test of their nerves. He stashes the revolver in the back of his belt.

He finally sets the space-sphere down again on a large landing pad near a great tower. They prepare to disembark. A measure of the elation that the Arkonides feel at the end of their quest is that Thora laughs merrily!

One final test confronts them on the ground, however. A rowdy cowboy blocks their way. He was plucked out of time from the instant of his death. He has the key to a gate through which they must pass to come into the presence of him. The cowboy is determined to keep it from them; by doing so for a half hour he will win his return to his own time and will live. His weapons can kill them – but theirs prove ineffectual against him. “I can't be plugged by you except in my time” he proclaims (p. 98). After various attempts to get through the gate by weapons and mutant powers fail, with only a short time remaining Rhodan draws the 19th-century revolver from behind his back and guns the cowboy down. His body vanishes, leaving the key. They pass through the gate and are greeted merrily by him.

Chap. 9, “Confrontation with – It!”

Through the raucous laughter, John Marshall shouts to Rhodan, “It is an interconnected entity, the living psyche of a supra-dimensional collective being, made up of billions of individual minds. You might think of it as an entire race having given up its material form in order to live on spiritually. We have here a voluntary denial of bodily existence after an inconceivably long span of life which the organism in its material form in all probability had become unable to endure any longer” (pp. 103-4)

It bids approach to its visible manifestation as a floating ball of energy. When Khrest, overcome by joy but hesitating, makes to do so, the old man is roughly thrust back against Thora. “It wasn't you I meant, Arkonide, I'm sorry to say.... I've already given your race a chance 20,000 years ago by your count. I cannot grant you, as the representative of a degenerated race, the secret of biological prolongation of life. The time you had has come to an end” (p. 105). Addressing Rhodan in Rhodan's own terms, as “old friend,” it beckons again. “'Step forward, sir!' Betty Toufry urged him. 'You were meant, not the pathetic old man.'” Rhodan feels himself taken up before the energy sphere as Pucky proclaims, “It likes to play as much as I do, but it plays differently” (p. 106).

Gathering his wits, Rhodan first demands that his injured crewman be healed. It is done. Then he accepts its offer of immortality. Of course, in reality, it is another test – the same chance as the Arkonides had received long ago, and others before them. It will only be the beginning of his journey.  It predicts that Rhodan too will one day tire of his physical body.  A humanoid form appears – an artificial man with a sixth-dimensional “intotronic” brain to act as the agent of it. He explains that the cell conservation treatment will last for 62 years, then must be renewed – and Rhodan will always have to find Wanderer again to obtain it or instantly decay will occur. Rhodan submits, enters the “Physiotron,” and emerges in the same state as he entered – but with his aging process halted for 62 years. Finally, he is given the opportunity to offer cell conservation to one other person. He chooses Bell.

Departing Wanderer, they hyper-transition back to Vega, finding that as promised the star has returned to normal.

“Alone, Rhodan reflected. The recognition the Immortal had granted him left him awestruck with its implications. With that single supramundane act a new era had been initiated. Phase I of the Space Age had ended and Phase II had begun. Soon all mankind would begin to think and operate not in national, global or even interplanetary terms but in stellar, interstellar terms.”

“All the universe beckoned” (p. 112).


* * *

And so ends the second “mini-cycle” of Perry Rhodan novels. The first (#1, Enterprise Stardust through the first skipped “special,” The Wasp Men Attack) had mankind encounter the first extraterrestrials, the Arkonides, and successfully hold off a series of alien invaders; the second (#5[a], Space Battle in the Vega Sector through this #13, The Immortal Unknown) finds humanity established as a minor interstellar power and Rhodan successfully complete his quest for immortality.


The unfortunate transposition of the covers between the German editions and the American editions for this and the last books was already discussed in the just previous post. Again, I know of no Gray Morrow painted cover. I own the Second Edition which sports the Johnny Bruck painting.  There are no interior line illustrations.


This American issue is dedicated to the memory of Edward E. Smith, PhD, "Doc Smith," a giant in the old pulp space opera field - writer of Lensman, Skylark, and quite a bit more.  
The Editorial: “The Mouse-Beaver Strikes Again!” Recounts the loss of the manuscript for this issue by the publisher, and the rush job re-editing from the carbon copy (!) to keep the printing schedule. It is interesting to pause and consider how, until very recently, the manuscript copy and perhaps a carbon, would be the only copies of a work in existence. Now multiple electronic backups are virtually a matter or course to prevent such a horrific loss of data. As it happened, even the carbon of the editorial which was to accompany it, which reported the results of the “New Name for Gucky” contest, was nowhere to be found. I imagine this is the same loss mentioned in the just previous post. “Forry Rhodan” also offers an explanation for the odd discrepancy noted in my post for #11, Planet of the Dying Sun, the table of contents for which announced an editorial entitled, “Rohan - ?! when the actual editorial was “Stardust Meloday.” That mix-up occurred, Forry said, because of a change in scheduling which required a new editorial too late to change the contents page to match. Perhaps. I imagine it's more likely that the change to the TOC was simply overlooked in the last-minute rush....

Scientifilm World”: A catalog-list of various science-fiction/horror films that were in various stages of development in early 1972. Some, like Ben, I remember; others would never see the light of day. Some should never have seen the light of day!

The Perryscope”: Another letter appears by Dwight Decker. I call attention to his name not to slight all the others who also have appeared, but because I recognize it due to his later effort to get Lemuria translated and published in English. He participates in something of a letter-column “debate” regarding the Ackermans' intention to pass over certain Perry Rhodan adventures that they judge to be of lesser interest to the majority of their readership – or even to “skip around” in publication to bring certain landmark issues to the US sooner, which he greets with horror. “Forry, these are not 540 [!] different, unrelated stories: what we are dealing with here is one 35,000 page supernovel that must be read chronologically. Sure, you can easily shorten or summarize the dull or slow adventures (the so-called “chewing gum” stories) but the idea of skipping around is as frightening as the idea of discontinuing the series entirely” (p. 119).

* * *

Pucky joins Rhodan's service as “Lt. Puck of the Mutant Corps” in this story. “Permit me, sir, not to say Pucky. It seems inappropriate to my honorable new position” (p. 37). He continues his “feud” with Reg Bell. He also goes on to save the day innumerable times (including once during the course of this tale) and generally contribute to the perception that Perry Rhodan is juvenile literature. I mean, come on, a talking mouse-beaver?

Several times Rhodan seems to perceive the presence of the Unknown, and addresses it directly as “old friend” (pp. 64, 71, 77). It's unclear to me whether he could really sense something that his fellows could not – in the past it's been indicated that his Arkonide hypno-training gave him some kind of extrasensory perception – or just trusting that the Unknown was watching and could see and hear him.

On p. 77, the Unknown greets then with “uproarious Homeric laughter” - according to Dictionary.com, this is “loud, hearty laughter, as of the gods.”

On p. 81, Rhodan admonishes his crew, “Don't jump to the conclusion that we've found God himself at work. We're merely face to face with a living being whose technology, science and culture must be millions of years old. He has learned all the laws of nature by scientific methods. What looks like miracles are no more than very intricate phenomena engineered with the help of machines.” Is this the first time that God has even been mentioned in Perry Rhodan? So far I don't think that religion itself has been dealt with at all. This is a very secular humanistic science-fiction series. A quick Google of “Religion in Perry Rhodan” comes up pretty much nil. Sometime I'll do a deeper search. Surely this has been written on somewhere (probably only in German, however).

Several times in this book an odd phrase occurs - “landing commando.” From the context, it seems to be what Star Trek and most other works call a “landing party.”

Custer's Last Stand is of course the Battle of the Little Bighorn, fought 25-26 June 1876.


I know virtually nothing of the history of firearms, but couldn't readily come up with anything on a “1867 Colt Peace-Maker revolver.” I was thinking “Colt 45”; perhaps it was this:


On p. 20 the Stardust's hyper-transition is described as being accompanied by a brilliant burst of light. Most recently that seems to be effectively conveyed in the reimagined Battlestar Galactica's “FTL jump”:


On p. 16 it is stated that the transition range limit of the Stardust is 35,000 light years.

I never knew that the command center of an Arkonide battle-sphere is located at its “geometric center” as stated on p. 17. I had always assumed that it was located at the “north pole.” But it stands to reason you would want your command center as protected as possible at the core.

What is the significance that Earth is at one focus of the far-flung elliptical orbit of the planet Wanderer? (p. 46)

A couple of minor characters are introduced in this story – Captain John McClears, left by Rhodan in charge of the “Guppies” in the Vega system, now happy as all get out to see the Chief return, and the Stardust's unflappable Chief Engineer, Manuel Garand.  I wonder if they show up again.

Next, it's back to the Solar System. There's no place like home. I'm curious to see how Thora and Khrest deal with the crushing of their dream, how Thora in particular reacts to the "superior" Arkonides' snubbing by It in favor of “the barbarians.”  ("You were meant, not the pathetic old man.”  Ouch.  That's harsh, Betty!)

Cheers, and Ad Astra!

Number 2600!

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I was just surfing the 'net and came across this bit of news that had slipped past me.  The original German Perry Rhodan series published issue #2600 last Friday, 17 June 2011.  Wow!  What an achievement!
The Thanatos Program by Uwe Anton
Cheers! and Ad Astra!

Better late than never.

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Fifty years ago this month, on Friday 8 September 1961, the first issue of Perry Rhodan hit the stands in Germany.  Happy Birthday, Perry!

Life gets in the way.  That's my only excuse for my delay in commemorating this momentous event in science-fiction history.  This has been an even more rocky than usual beginning to a semester, on top of quite a bit of upheaval in my personal life having to do with moving my mother from my home town to my current town.  And I've been on a bit of a hiatus from my rereading of the series from the beginning, which put it even further in the back of my mind.  See more below.  Ah well.  At least the month has not entirely passed without my marking it!

I'm actually surprised that I stuck with the series for such an uninterrupted length of time as I did.  It's quite unusual for me.  I tend to flit back and forth between various series, seldom reading more than two or three volumes in any one before heading off into another.  I almost always come back, however, and I will come back to Perry Rhodan sooner rather than later.  In fact, something has just come up that had my thoughts turning back to it today - which is how I realized my oversight regarding the anniversary.  I'll post something about that when things firm up a bit.  But hopefully even before then I'll be taking up with the next sequence of stories and this blog will come back to life.

Meanwhile, just in case anyone is not aware of it, this coming week will see the great Fiftieth Anniversary Perry Rhodan Weltcon 2011 in Mannheim.  Man, I wish I could be there!

Cheers, and Ad Astra!

Perry Rhodan #14, Venus in Danger (1972)

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By Kurt Mahr (= German issue #20, 19 January 1962)


First, a couple of words. Welcome back to what I intend to be the leaner and hopefully meaner Perry Rhodan Reading Project blog. Several things have kept me away from this for the past several months: A busier than usual summer – followed by a significantly busier than usual fall semester; The other blog I started back at the beginning of the summer because I do read much more than just Perry Rhodan, and I found myself wanting a forum through which to share my reading experiences on all that other stuff as well; The fact that I did reach a good place to take a break; And finally, the fact that I tend toward a certain degree of obsessive compulsiveness that had me adding more and more detail to the recaps that I was doing for the past few Perry Rhodan books, to the point that the whole thing became more a chore than a hobby. That last is something I constantly fight against on the other blog as well.

But I'm back now, and hopefully if I can restrain myself from going overboard with my individual entries I can maintain more of a steady pace. The most immediately apparent difference between my more recent (?) entries is that I'm abandoning the chapter-by-chapter summaries in favor of a more general synopsis of the story as a whole. The other commentary will be basically just whatever comes to me – as it always was – with no effort at full-scale annotation. Maybe that will be more manageable, because frankly I've been hankering to get back into the saga for some time … but dreading sitting down to write it up as well.

Anyway, let's look at this book …
* * *
Hypertransitioning back into the solar system, Perry Rhodan and the crew of the Stardust II establish contact with Col. Freyt in Galacto-City – only to find that over four years have passed since they departed and began their adventures in the Vega System culminating in the quest for the planet Wanderer where Rhodan met the mysterious, almost godlike intelligence It and was granted a form of immortality that nonetheless requires him to return to Wanderer every sixty-odd years or so. From his and his companions' own perspective it has been only a few months. In those years of Earth-time, however, the fragile beginnings of Terran unification that Rhodan had brought about have begun to break down, with the Eastern Bloc attempting to reassert itself as an independent, even dominant power. The danger of a third world war has resurfaced. As they move through the solar system toward the Earth, the perplexed returnees detect a large number of small vessels approaching and landing on Venus. Needing to use the great Arkonide robot brain in the ancient base on that world to plot out the orbit of Wanderer for their eventual return, Rhodan diverts toward Earth's sister planet.

Approaching Venus, they are attacked by a nuclear missile – which of course has little effect against the advanced defenses of the Arkonide battlesphere. Racing low above the surface of the jungle planet at an incredible nine miles per second, the Stardust effectively becomes a fireball that inadvertently decimates the just-deployed forces of the Asian Bloc, who have been sent to secure the Arkonide technology of Venus Base for that government. Approaching Venus Base, the Stardust is suddenly stopped cold by the base's defense screens – and Rhodan realizes that his previous command to the robot brain contained a fatal flaw. His reprogramming the positronic brain to allow humans access had almost allowed the invading Easterners access – which was only averted by the “dangerous and unusual” situation created by the nuclear detonation that has now caused the base to go into total lockdown such than even Rhodan himself cannot get in without demonstrably averting the dangerous situation first!

The bulk of the story thereafter is the tale of how Rhodan balances the need to eliminate the threat posed by the surviving Eastern Bloc forces with his wish to avoid unnecessary bloodshed, alternating with the trek of those Eastern Bloc forces – mainly focussing on General Tomisenkov who ends up separated from his comrades – across the hostile jungle terrain of Venus where they face a variety of monstrous threats that include giant dinosaur-like creatures of various types including pterodactyls in addition to storms that out-strip the worst Terran hurricanes. Eventually Rhodan and his men round up most of the Easterners (except for Tomisenkov and a few of his men who remain at large, albeit now without ships or the means to threaten Rhodan or the base) and sufficiently demonstrate to the robot brain in charge of the Arkonide base that the “dangerous and unusual” situation has been neutralized. That news is conveyed by mutant teleporter Tako Kakuta, who jumps through the force field, allowing himself to be captured by the robots so that the sophisticated computer can read it directly from his mind.

Once inside the base, Rhodan sets the brain to the task of calculating the orbit of Wanderer – just in time. Had only a day or two more passed, the coordinates of vanishingly small arc of the orbit that they had plotted would have been too out-of-date for even the great robot intelligence to extrapolate with any accuracy. His ability to return to Wanderer assured, Rhodan announces to Reginald Bell his new resolve: “I think we've shown patience long enough. … If the people of Earth haven't the sense, the will, the ability – if they don't want to be united – they'll have to be for their own good. We can't afford to move out into the universe with the threat of disunity at our back. We must make a clean sweep and we'll start with the troublemakers” (p. 105).

(Another synopsis may be found at http://perryrhodan.us/php/displaySummary.php?number=20 )
* * *
From here on out, all the way down until after #100, the Ace edition covers will be painted by Gray Morrow.

This volume has the usual editorial, which “the Captain of the Stardust 4E” gives over to a German fan's letter that drops hints of storylines to come; a short tribute to “Pucky's Papas,” i.e. Walter Ernsting who went by the pen-name of Clark Darlton; an announcement of a slight change in the format of the “magabooks” starting with the next issue, consisting of a page increase to accommodate backup short stories and serial chapters; “Scientifilm World” commenting on an ambiguity as to what Klaatu's actual words are at the end of The Day the Earth Stood Still; the “Perryscope” letters column, subscription information; and a couple of very low quality photographs that I can't even get a decent scan of. The first of these is of a gentleman in a sport coat perched debonnairely atop the fender of an automobile beside a small stuffed animal that may be a mousebeaver … is that Walter Ernsting/Clark Darlton with a Pucky-doll? It doesn't really look like other pictures I've seen of Ernsting, but those were from later in life. The second picture is from The Day the Earth Stood Still.

Other than those two photos there aren't any interior illustrations.

Besides Rhodan's reprogramming of the Venus Base positronic brain having some unintended consequences, so do the “orders” he had left Freyt with in command of Galacto-City. Wishing to head off any temptation that Freyt might have to use Arkonide techology for his own political benefit in Rhodan's absence, he had left him under a hypnotically-enhanced inhibition against interfering in Terran politics – which left him impotent as the situation deteriorated and Eastern Bloc ambitions led to escalating political instability. Rhodan chastises himself pretty roughly for his lack of imagination in both cases – neither imagining that another Earth power might attempt to invade Venus, nor that there might develop a situation in which Freyt might have a legitimate need to deploy the power of Arkonide technology – and announces to Bell his intention to consult more closely with the positronic brain in future because of its dispassionate nature and lack of preconceived notions.

Why can't Tako Kakuta teleport into the base from the beginning? I think it's because there was the necessity that his mind be clear on the fact that the dangerous situation had indeed been averted. Had the positronic brain detected subterfuge or deceit, the result may have been worse than the situation that had developed.

I've commented on this before, but Kurt Mahr seems to have been the series' go-to writer for describing humans pitted against hostile alien worlds, their monstrous animals and environments. He of course wrote #4(b) Base on Venus, #10 The Ghosts of Gol, and #11 The Planet of the Dying Sun. There's a lot of similarity of mood among these stories – particularly between this one and Base on Venus for obvious reasons.

Pucky is noticeably absent in this story, but I didn't miss him. Thora is still sulking in her quarters, unseen since the crushing disappointment of the Unknown Immortal denying the decadent Arkonides the goal of their quest that had brought them to this part of the galaxy in the first place, bestowing effective immortality on the “primitive barbarian” Perry Rhodan instead.

When exactly did the Stardust II jump forward in time? There was no indication that anything was amiss at the end of the previous book when they returned from Wanderer to the Vega System. So it would have had to have been in during the jump from there back to the Solar System, right? Is it ever explained? And, even though Freyt was under orders to keep hypercomm silence, why didn't whomever Rhodan left in the Vega System start wondering why Rhodan's jump back to Earth at the very end of the previous book was then followed by no contact whatsoever for years? Surely they weren't expecting that. Why did they not try contacting Freyt in Galacto-City?

Title of the first chapter: “Lost – One Lustrum!” The term doesn't appear in the text of the story, not surprisingly since it's not a word that is in very common usage. The chapter titles that have appeared since #6 and the beginning of the one-story-per-book “magabook” phase of the English edition are, it's my understanding, products of Forrest J. Ackerman's fevered mind. On the evidence of the many puns that appear in his various editorials and letter column comments, he obviously had a great love for words … although the results could be quite painful. “Lustrum” is actually a Latin term, meaning a five-year period. I don't know that I've ever heard it used in “real-life” conversation – although I must confess I drop it on my students from time to time in its proper historic context just to see if they'll ask me what it means. A lustrum was specifically the five-year period between censuses under the old Roman Republic. I don't remember in which of his many books it was, but I do know to what author I owe that little piece of odd knowledge – Isaac Asimov. More than just a science fiction writer, Asimov wrote many works of popular history and religious/literary commentary as well (e.g., Asimov's Guide to the Bible, albeit from a thoroughly secular humanist perspective), and for much of my teenage years I voraciously plowed through as much of that as I could get my hands on. Although I liked his science fiction – especially the Foundation trilogy as The Fall of the Roman Empire-recast-in-space– those other works probably made more of an impression on me and probably helped instill in me the love of history that eventually led me into my career. But I wonder how many readers way back when went scurrying for their dictionaries looking for "lustrum" – or needed to whether they bothered to or not.

Incidentally, although that first chapter title as well as other references I've seen, including Freyt himself, state that there is a five year gap at this point, it's really closer to four years. According to ship-time it is 29 January (p. 12); according to Freyt the date is really 24 May, “nearly five years … since you last called” (p. 13). I haven't kept up with passing time, but the wonderful Perrypedia site's German-language synopses do, stating that the years are 1976 and 1980 respectively, which makes it of course only four years and just shy of four months later.

The cover copy of the Ace edition, both front and back cover, deserves notice. On the front cover, it's sheer hyperbole to proclaim that “Venus Base waited in terror for the attack.” On the back, well, one of Ackerman's more painful puns adds to a misrepresentation of the situation somewhat along the same lines: “... the Base was in danger of being swept away by the deadly horrorcanes…” (his emphasis – I'm pretty confident in assuming it's to Forry that we owe this). <Shaking head.>

Contrary to what “The Ship of Things to Come” announces, next up will not be #15 Escape to Venus. We've come to the second point in the series where the Ackermans opted to skip a story entirely in the original English publication. Of course, the hue and cry eventually led to its publication in a special edition years later at the very end of Ace's tenure as publisher. So, next up: Menace of Atomigeddon.

I'll try not to let it be so long in coming....

Cheers, and Ad Astra!

The Book Cave Podcast Episode #150: Perry Rhodan

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Along with hosts Ric Croxton and Art Sippo, as well as fellow guest Andrew Salmon, I talk Perry Rhodan and a whole bunch of other stuff as the conversation takes us.  And a good time was had by all....

You can check it out at The Book Cave's own website:  http://thebookcave.libsyn.com/the-book-cave-episode-150-perry-rhodan, or at iTunes.  Then browse around a bit in The Book Cave.  It's full of pulpy and comic-book goodness - my kind of reading!

Cheers, and Ad Astra!

Perry Rhodan Special Release: Menace of Atomigeddon (1977)

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By Kurt Mahr (= German issue #21, Der Atomkrieg findet nicht statt, which Google Translate renders as “The Nuclear War Cannot Be Held,” Friday 26 January 1962)

This story takes up almost immediately after #14 Venus in Danger, with the Stardust II traveling from Venus to Earth. We get to see how the astronomically disparate technologies put Terrans at risk of even accidental annihilation as the Arkonide space sphere inadvertently plows right through the middle of an Eastern Bloc reinforcement fleet headed for Venus. It is moving at such speed that by the time the Terran ships are detected it is too late to do avert the imminent collision – in which the Arkonide protective force fields simply disintegrate the middle portion of the fleet including its command ship. The survivors can only continue to Venus where they do not suspect their first invasion force has already been decimated, and where they will themselves be stranded with no way home. Sufficient note is made of them that I can't but believe they will play a role in a later story.

The Stardust continues to Earth where Perry Rhodan implements his plan to bring about unification of the Earth even if it must be against the will of the present political powers. The stakes have become too high. He makes a show of force across the Eastern Bloc before proceeding to Galacto City. Col. Freyt is not happy, but understands, when Rhodan explains the mental compulsion against using the Third Power's Arkonide tech to intervene in Earthly politics – which Rhodan now admits was an error on his part because it allowed events to get out of hand and almost tear down what he had so painstakingly built before leaving for Vega and his unexpected delay in returning. The leaders of the Earth's major powers are “invited” to Galacto City and the process of finalizing Terran unification is begun with the establishment of an planetary court of justice. Rhodan also has what appears to be his first meeting with Thora since her and Khrest's great disappointment on Wanderer – and she seems truly taken down a few notches by the experience now that she has more or less come to terms with it.

But the core of this book follows Rhodan's agent behind the lines of the recalcitrant Eastern Bloc, Maj. Derringhouse, as he engages in a one-man campaign of espionage and sabotage that culminates with him capturing the Dictator of Russia, Strelnikow, and arranging for the wholesale surrender of the Eastern Bloc government. Arkonide technology, especially the combat suit with its invisibility screen and flight, make him virtually undetectable and unstoppable.

In the end, even as Rhodan is able to host a celebratory banquet on 19 June 1980, the ninth anniversary of the launch of his moon rocket Stardust which took him to the moon and began his journey toward this day, a day which will henceforth mark the removal of the biggest obstacle to the unification of mankind as well as the renaming of Galacto City as Terrania in hope that that unification will be finalized soon, he is able to make one last great demonstration of the might of the Third Power and its purpose to defend the Earth. An Eastern Bloc base on the moon has launched a catalytic nuclear barrage on the mother planet which Rhodan's space fighters handily sweep aside – but which Rhodan points to as further proof of the urgency of world unification.

(Another synopsis may be found at http://perryrhodan.us/php/displaySummary.php?number=21 )
* * *
This is, of course, the second of the three “lost” early adventures from the earliest years of Perry Rhodan. “Lost” at least from the perspective of followers of the American Ace translations. Ostensibly, like the previous example, The Wasp Men Attack, the reason is because the action is less “science-fictiony” and confined to Earth, therefore of less interest to fans of the series who were looking for gold old space opera adventure. In the present case, even more so, because the conflict is not between humanity and monstrous alien creatures but rather between political factions, a resumption of the Cold War of East versus West that dominated the world both that the series was born in and the earlier books in the series. The antagonists are merely human beings. And, in all honesty, the unbalance between my synopsis above and the story itself may suggest that in the present case the editors' and/or the publishers' judgment may have been more accurate. The short paragraph in which I relate the mission of Deringhouse behind enemy lines grossly downplays the proportion of the book devoted to that part of the story. Without counting words or pages, because there are scattered returns to Rhodan's efforts in Galacto City along the way, my impression is that Derringhouse's story is well more than half the book. And my short paragraph does not nearly cover the complexity of his story. But frankly in the bigger scheme of the series itself I have the essentials.

On the other hand, skipping the story entirely as was done does, I hope it's obvious, miss out on telling some very significant developments in the overall story of the unification of the Earth. Not having looked ahead to the next book I just don't know if the sudden change of “Galacto City” to “Terrania” is there explained. If those Eastern Bloc reinforcements do make it to Venus after nearly being wiped out in inadvertent collision with the Stardust, as I suspect they do, and reappear in a later book (perhaps the next, #15 Escape to Venus), what is told for the unsuspecting American reader of the circumstances by which they ended up stranded with their unfortunate predecessors? These and other such little bits make clear to me how this saga is really one long story, steadily being added to book by book, and if one piece is excised from the middle it does leave a hole. It's similar to a dilemma I face in trying to cut material out of my lectures to save time. It's not an easy task because my history lectures for a class are part of one long story, with connections back and forth through the entire semester. Inevitably if I drop something out of, say, lecture four I realize in lecture ten that I didn't set something up properly that I want to talk about and I end up having to go back and do it then – sometimes ending up with a net loss of time saved! I have identified places in previous stories where it seems the translator/editor are adding explanatory material to help the English reader along – e.g. at the beginning of #6 when there had been about a year long gap since the publication of the previous volume. I wonder how much we'll see in the next?

One comment, and I don't know if this has to do with publication schedules, when it was translated, or (and I suspect this has a lot to do with it) just that Kurt Mahr seems to have been a better writer than W. W. Schols, who wrote The Wasp Men Attack. Granted, I've only read two stories by him so far, but I've been unimpressed with either. See my previous comments. This one overall seemed much like any other Kurt Mahr story, even with the unusual setting. With one qualification: There seems to be excessive use of what I might term “shorthand,” very informal style – e.g., “thruout” (p. 22), “nextime” (p. 34), “rightime” (p. 69) … numbers are not properly spelt out so often that there's no way I could possibly enumerate them. That last is a feature I've noticed to a lesser degree in other stories so far (besides Wasp Men Attack), but here there overuse becomes downright annoying. I figure it's a quirk of the English translation rather than the German original, but it points to a problem that I think contributes to the generally low esteem with which this series is held. Yes, this is pulp fiction, but there are some standards I think should be maintained for even this level of formal prose. I've never seen such bad style in any other published works of this genre, and I can't help but believe that along with Forry's neologisms like “Atomigeddon” it contributed to an overall sense that the Perry Rhodan series was fundamentally juvenile.

And of course there's the one that made me laugh out loud – “12:00 o'clock” (p. 29). That just makes no sense whatsoever.

Enough with bashing the style. The story itself is pretty good. I hope my synopsis above conveys that. It just could have been presented so much better. I am having some tickling memories now, however, of thinking some similar thoughts way back then when I was reading some of the later books. I'm not looking ahead to confirm it, but perhaps there was an overall drop in the quality of editing as the series went eventually to as many as three novels per month...? And this “Special Edition” was published in that later period. When exactly was it translated?

Enough, I said!

Anyway, a few notes and comments:

I'm still confused about exactly when Rhodan and his crew lost the four-and-a-half years. On p. 56 of this book the indication seems to be that they were lost on Wanderer. As part of a couple of pages' exposition basically recapping the series to this point, the following statement is made: “[T]hey had come home to Earth from Wanderer after they had been absent, according to their own chronology, only a few months. However 4½ years had passed on Terra during their visit to Wanderer where time was measured on a different scale.” I don't think that's the case. If you go back and examine the end of #13 The Immortal Unknown, p. 111, they have just transited back from Wanderer to Vega, where Rhodan orders a short stopover before proceding back to Earth. Presumably that happened, and they would have noticed the time discrepancy. No, the “time-slip” had to have happened subsequently, presumably in the transition from Vega to Sol that begins Venus in Danger. I still wonder if this will ever be cleared up.

On p. 67, in his conversation with Thora, Rhodan explains why he is engaging going about the unification of mankind in the way he is, rather than making use of the overwhelming technological advantage that he enjoys and forcing the issue: “I want to achieve the concord of all peoples. This is my great goal. But not with force. I prefer to use a special method which will enable every citizen to draw the same sensible conclusion by himself. If I were to follow your advice, history would remember me as a brutal man who had insisted on uniting our nations by force. This I wish to avoid by all possible means!”

There's nothing really to say about the Ace cover. The illustration has nothing to do with the present story, but rather the Atlan story that it was paired with. Perhaps once I have made my way through the English Perry Rhodan stories I'll go back and read the few stories from that spinoff series that appeared in English – which in German went to eight or nine hundred issues. But that will be a while. If I do, I'll deal with what little extra material that appears here, which is limited to a “Guest Editorial” associated with the Atlan story and the letters column generally making reference to Perry Rhodan stories in the “hundred-teens” range.

The German cover by Johnny Bruck is interesting, however. I think this is the first time that a “real-world” locale forms the backdrop for the cover. Near the end of the story, the leaders of the Eastern Bloc are rounded up under Deringhouse's hypnoblock and marched under the guard of Arkonide robots into the Stardust… which has landed in Red Square, Moscow.

Next up: #15, Escape to Venus!

Thanks for reading, Cheers, and Ad Astra!

Perry Rhodan #15, Escape to Venus (1972)

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by Clark Darlton (= German issue no. 22, Thoras Flucht“Thora's Flight,” Friday 2 February 1962)

19 June 1981. A year has passed since the return of the Stardust to Earth and Perry Rhodan's removal of the last major obstacle to world unification. The tenth anniversary of Rhodan's first moon mission that began the saga is a day of celebration across the world. Thora uses the distraction as an opportunity to abscond with one of the new Arkonide-designed destroyers, heading for Venus. She plans to use the hypercomm station in Venus Base to call Arkon and finally get out of this barbarian backwater. Unfortunately, she doesn't realize that the destroyers have not finished prepping with the proper authorization codes to be able to approach Venus Base – so the Positronic Brain shoots her down per Perry Rhodan's previous orders. And when Rhodan, along with two mutants, telepath John Marshall and teleoptician Son Okura, pursues her in a second destroyer, he forgets that fact as well and is similarly shot down!

So Thora along with an Arkonide robot R-17 (whom she'd outlogicked in fine James Kirk fashion), and Rhodan and his companions, end up castaways on the primeval planet – separately, but both groups without communications capability back to Earth. In fairly short order Thora is captured by a scouting party from General Tomisenkow's Eastern Bloc forces, stranded on Venus since taking a drubbing from Rhodan in #14, Venus in Danger. But two groups have splintered off from Tomisenkow – a group of “rebels” who have settled down to begin an agricultural existence, and a group of “totalitarian pacifists” who are anything but, and who in short order wipe out the agricultural rebels before heading to take on Tomisenkow's party.

Rhodan and his men have various adventures in the Venusian jungle. Rhodan is initially captured by but then takes up with Sgt. Rabow, Tomisenkow's very scout who had captured Thora but who was himself a rebel sympathizer. When they discover the destroyed rebel village and what the “pacifists'” next target is, however, they attempt to warn Tomisenkow. Realizing what a prize he has in the Arkonide woman – and that Rhodan will eventually attempt a rescue, the general has meanwhile beefed up his camp's automatic machine-gun defenses. Rabow is killed. Rhodan is shot through the shoulder, but manages to get away with Okura and Marshall.

Meanwhile, Reginald Bell and another crew including the Mutant Corps approach Venus in the Good Hope V, one of the “Guppies” from Stardust. They are stopped cold in their approach and receive a repeating transmission. The two previous approaches without proper authorization codes has resulted in the Robotic Brain locking down the planet: “SECRET BARRIER X HAS GONE INTO EFFECT. ANY PENETRATION INTO THIS PLANET'S ATMOSPHERE IS BEING REPELLED BY A HYPERGRAVITATIONAL NEGATIVE FORCE FIELD” (p. 105). Per Rhodan's orders. Only an Arkonide or Rhodan himself can countermand the order – and only from within Venus Base itself.

Rhodan determines that only with the help of the semi-intelligent seal creatures discovered in their initial trip to Venus a decade before can he hope to reach the Base. Only a telepath can communicate with them, so Marshall is elected to make a long trek to the ocean to establish contact. Shortly after his departure, Rhodan and Okura's short-range communicators pick up Bell's calls. Bell refuses Rhodan's orders to return to Earth. And so they all settle in to wait – Bell cursing in orbit, Rhodan and Okura “perched on a tree ... playing Tarzan” (p. 120), to see what the future (and Marshall's perilous quest) might bring.

(Another synopsis may be found at http://perryrhodan.us/php/displaySummary.php?number=22.)
* * *
Cover: Again, it's a great-looking Grey Morrow sci-fi cover that has absolutely nothing to do with the story inside. Or almost nothing. Beyond the basic question of who the auburn-haired central figure is (Rhodan is famously blond, and usually depicted as such on Morrow's covers), who is the bald man in a bubble space helmet at lower left? Lex Luthor? ... or better, the Ultra-Humanite before? ... and after up to the right? Actually, the white ape is the one element of the cover that seems to come from the story. Although they really don't play much of a role here, I figure something must be being set up by the number of times white ape-like Venusian creatures are referred to in this story. (Also, I know the bald guy looks a lot more like classic Lex Luthor than the original Ultra-Humanite, but the juxtaposition with the white ape made me go there....)

Once again, Johnny Bruck's original German pulp cover far more directly derives from the story, although the overall color scheme is not the impression I get for the Venus described in the book. But maybe I'm bringing my own preconception of a grey, overcast day to the table. Since Venus is closer to the sun such a bright glow would perhaps penetrate the omnipresent cloud banks. The scene is from soon after Rhodan, Okura, and Marshall are shot down – with Rhodan's bandaged head and Okura's thick glasses clearly visible. Ironically, the “teleoptician” who has, for lack of a better term, a form of “X-Ray vision,” has poor eyesight in the normally visible bands of light.

The dedication is to Edgar Rice Burroughs, “Whose 'Escape On Venus' Was Just One Of His Myriads Of Marveleous [sic] Classics Of Escape Literature” (p. [4]). Although there is no ad for other Perry Rhodan books in this volume, there is one for various of Ace's ERB novels of the early 1970s ... which is all, I think serendipitously, quite appropriate given the reference to “playing Tarzan” that appears as quoted above.

The editorial is a rather silly exercise in creating a shorter and shorter “story” by subtracting one letter from previous iterations, driven by the passing of Frederic Brown at age 65, the writer of a “wacky parallel world novel What Mad Universe” (p. 7). “Did it ever occur to you that it can sometimes be a kind of desperate thing to come up with a new editorial every 4 weeks? Well, now you see the result” (p. 8). I don't think anyone ever said Forry couldn't poke fun at himself.

Scientifilm World is largely devoted to When Worlds Collide– which could have been made almost twenty years earlier than it was (1951), and by Cecil B. DeMille. Now there's something I never would have suspected. It ended up made by George Pal. There's also an announcement of an upcoming World Science Fiction Convention in Los Angeles, to be held 1-4 September, followed by an announcement for the United States' first Science Fiction Film Festival for “a couple of months later.” Finally, notice is taken of a new book about to be published which would give “the most extensive coverage of fantastic films ever undertaken by the human mind,” by one Walter W. Lee Jr. “Would you beleve something like 25,000 titles?!” (p. 128).

No letters column this go'round. At the very end of the editorial Ackerman blames its absence on a glitch in publication scheduling. Once again, there are no interior illustrations to this American edition. Are those a thing of the past?

The promise last issue of a thicker magabook with other features included beginning in this issue didn't actually come true. It will next issue, however.
* * *
Random Annotations and Comments:

Here's something a bit different – a story of man versus an alien planet not written by Kurt Mahr. And the tone of Clark Darlton's story ends up being quite different – lighter, less ominous. Yes there are token references to and attacks by hostile fauna, and the requisite trek through the jungle, but generally the story is of human conflict. And it's typically quite complicated plotwise. There are several different players going – and that's without even bringing in the hanging plot thread of the stranded Eastern Bloc reinforcements that the Stardust blew right through at the beginning of the Special Release, Menace of Atomigeddon. Unless I missed something, they are never referred to in this book. Of course, original Ace readers would not even miss them. Might the Ackermans have simply edited out any reference to those reinforcements since they had not been properly introduced in the missing story? Without reference to the German original I have no way of knowing. But as the story develops here we end up with Thora and the Robot, Rhodan and his companions, three different groups of Easterners – and ultimately Bell orbiting the planet impotently!

Speculation: Perhaps the survivors of the Eastern Bloc reinforcement fleet were shot down by the Positronic Brain since they could not send the authentication code. Maybe that's why they seem to play no part in this story. And apparently Rhodan gave them no thought after observing them continuing to Venus after he inadvertently decimated their numbers. Granted, he had a lot on his mind 'round about then, but it does seem to be yet another oversight on his part. Is it just me, or have the plots lately been a bit overdriven by Perry Rhodan's own lack of foresight, especially where programming the Robot Brain on Venus Base is concerned? Sometimes, of course, it's a result of the way these stories are produced – plotted by committee, written very swiftly by individuals for weekly publication. But sometimes it seems that that's just the way the plot is driven.

P. 97: Betty Toufry described as “the 15-year-old telepathic wonder girl.” Yes and no. Yes, in the sense that she was born on 2 February 1966 according to the Perrypedia's calendar page, which cites German issue #7, American issue #4(a) Invasion from Space where she is introduced as six years old; that earlier adventure occurred in the first part of 1972. So in Earth's elapsed time she is indeed fifteen years old in June 1981. Of course, in her own elapsed time – as for Rhodan and the rest of his crew on the Stardust's mysteriously extended journey – you would need to shave four and a half years off that, making her effectively only ten years old.

Incidentally, the mystery of when the time shift noticed at the beginning of Venus in Danger continues: “For 10 years – if one took into consideration the peculiar time-leap on Wanderer...” (p. 28). It's soon yet, but I get the feeling this will become the orthodoxy, that the “peculiar time-leap” occurred while they were with the Immortal Unknown on his planet, although I think it's pretty obvious that it did not – see my comments to Menace of Atomigeddon.

The change in name of Galacto City to Terrania which occurred in Menace of Atomigeddon and was therefore “off screen” in the original Ace publication of the series is handled with just a couple of identical phrases repeated near the beginning of this book: “Terrania, formerly known as Galacto City” (p. 10 in narration, p. 21 in Rhodan's speech to the world).

The end of Rhodan's speech to the world sets up a bit of irony: “The New Power loves peace but will hit swift and hard, should peace be disturbed anywhere in this world” (p. 27). The words of him who Ackerman dubbed “The Peacelord of the Universe.” The iron hand in the velvet glove. Compare this with Son Okura's ruminations after witnessing the destruction of one of a rival splinter group of Easterners' villages – perpetrated by a fanatic devoted to pacifism: “[Okura] knew how much mischief had been committed in the name of 'pacifism.' It was the fashion nowadays to hide aggressive actions under the cloak of pacifism and to pretend that these war-like acts served the cause of peace” (p. 90). Of course, implying that the authors do not see the irony in what they are writing, this is followed by: “Thank God things had changed since Perry Rhodan's New Power had come into existence.” And, of course, things have not changed in the world since these words were written fifty years ago – some of the world's worst violence is perpetrated in the name of “peace.”

“One full Venusian day lasted as long as 10 days on Earth. This meant 120 hours of uninterrupted daylight, which was followed by an equally long stretch of darkness. One Venusian year lasted 224.7 Earth-days” (p. 30). This is preceded by a paragraph on the atmosphere and climate of Venus, which are obviously as believed until the early 1960s. The early Perry Rhodan stories set on Venus have to have been among the last science fiction stories that could be set on that putative primeval jungle planet with that environment being in any way a possibility. I've already commented on the rapidly changing understanding of the reality of Venus in my post on #4(b) Base on Venus. I'm sure the data given for the annual and diurnal cycle of Venus were given then, but I didn't do any research on it at that time. How do they stack up? According to Space.com, the length of the year is correct, “about 225 Earth days.” But the reported length of the year is wildly wrong (as I suspected from the round numbers given, but little did I dream of the magnitude of the error!). In actuality, “it takes Venus 243 Earth days to rotate on its axis.” And its rotation is unusual among all the planets of the solar system: “If viewed from above, while most planets rotate the same way on their axes, Venus rotates the opposite way. While on Earth, the sun appears to rise in the east and set in the west, if on Venus, the sun would rise in the west and set in the east. … [The disparity between the 225 Earth-day long year and the 243 Earth-day rotation], which normally would mean that days on Venus would be longer than years. However, because of Venus' curious retrograde rotation, the time from one sunrise to the next is only about 117 earth days long.”

Finally, would it be pedantic to point out that the proper adjectival form of “Venus” is “Venerian,” not “Venusian”? – Probably so, but it's another bit of odd knowledge I owe to Isaac Asimov.

Next up: Secret Barrier X.

Thanks for reading. Cheers, and Ad Astra!
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